AltWeeklies Wire

First Shot: A Look at This Week's Movie Openingsnew

This Friday marks the opening this year's non-Saw Halloween fare, including the latest shocker in which a couple of innocents are beset by sociopaths who seem intent on hunting them down and killing them.
Orlando Weekly  |  Steve Scheider  |  10-30-2008  |  Movies

'Saw V': A Series of Torturesnew

Yet another damn Saw movie is crapping in theaters ... and bringing in lots of box-office cash.
Tucson Weekly  |  Bob Grimm  |  10-30-2008  |  Reviews

Is 'Changeling' a Thriller or More?new

Clint Eastwood tries to do too much with his disappointing, surprisingly graphic Changeling.
Tucson Weekly  |  James DiGiovanna  |  10-30-2008  |  Reviews

Why the Living Dead Will Never Die -- a Bit of Zombie Navel-Gazingnew

Zombie movies are everywhere. They surround us like a horde of reanimated corpses clawing at our boarded-up windows, and they just keep coming. Some of these films are brilliant (Shaun of the Dead) and some are awful (Zombie Cop), but fans of the genre are always willing to come back for more.
Fast Forward Weekly  |  John Tebbutt  |  10-30-2008  |  Movies

Navigating 'Frozen River'new

How far will a mother go to make a better life for her children? It's a question that the debut film by writer-director Courtney Hunt asks and attempts to answer in this remarkably textured and compelling story set close to the Canadian border in upstate New York.
Fast Forward Weekly  |  Elizabeth Chorney-Booth  |  10-30-2008  |  Reviews

Fanboy Filmmaker Kevin Smith discusses 'Porno' & R2-TBagnew

Smith shakes the haters off with his return to form, Zack and Miri Make a Porno.
San Antonio Current  |  Cole Haddon  |  10-30-2008  |  Profiles & Interviews

'Crawford': An Online History Lessonnew

David Modigliani's self-made documentary about G.W.'s adopted Texas home town is the first full-length release for Hulu.com.
Boston Phoenix  |  Julia Rappaport  |  10-30-2008  |  Profiles & Interviews

Fear(s) of the Dark Offers an Animated Omnibus of Juvenile Dreadnew

Structured as a frame story of sorts, the film begins with a pack of four voracious hounds, tethered to a sadist, who set out across the countryside in search of blood. Positioned along the backdrop of this chase are four vignettes of horror that center on popular phobias.
San Francisco Bay Guardian  |  Erik Morse  |  10-30-2008  |  Reviews

One Person Saves 'Zack and Miri': Elizabeth Banksnew

When full-scale T&A supplants a storyline rather than complementing it, a fictional send-up about making a porno begins to adopt the tedium of watching an actual porno.
INDY Week  |  Neil Morris  |  10-30-2008  |  Reviews

'I.O.U.S.A.' is an Essential Documentarynew

The film is a grim assessment of America's precarious, unsustainable finance.
INDY Week  |  David Fellerath  |  10-30-2008  |  Reviews

Hollywood Takes a Stab at Hollywood in 'What Just Happened?'new

I'm going to suggest one measure for judging a Hollywood satire: Does it leave you wanting to see the fictional film-within-the-film it dramatizes? If not, the L.A. story probably doesn't qualify as a success
Creative Loafing (Atlanta)  |  Curt Holman  |  10-29-2008  |  Reviews

Wayne Coyne Loses the Plot, Keeps the Magic for 'Christmas'new

The Flaming Lips frontman is hitting the big screen as a true alien -- a man in green with deely-bopper horns on his head and shoulders -- in the movie he cooked up, co-directed, and co-stars in, Christmas on Mars.
SF Weekly  |  Jennifer Maerz  |  10-29-2008  |  Reviews

Kevin Smith Tests the Gag Reflex of Chick Flicksnew

Smith's former productions were like low-rent precursors to Judd Apatow. In Zack and Miri both comic galaxies collide, with orgasmic results.
Willamette Week  |  Ap Kryza  |  10-29-2008  |  Reviews

Jolie Teams Up with Eastwood to Make an Insane Melodramanew

Only a director of Clint Eastwood's reputation and confidence could make a movie this brazenly batshit.
Willamette Week  |  Aaron Mesh  |  10-29-2008  |  Reviews

It's All in the Details in 'I've Loved You So Long'new

French novelist Philippe Claudel's first feature as director is a quiet, layered narrative with a remarkable central performance by Kristin Scott-Thomas.
Chicago Newcity  |  Ray Pride  |  10-29-2008  |  Profiles & Interviews

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