AltWeeklies Wire

Operatic Spider-Man 2 improves on predecessornew

Since Batman, superhero films have frequently gone for gothic self-importance, but Spider-Man 2 brings camp back into the formula. The operatic, at times overblown adventure enthralls and amuses the audience without overtly winking at it.
Creative Loafing (Atlanta)  |  Curt Holman  |  07-01-2004  |  Reviews

Revenge of the Nerdnew

The eight-limbed villain eclipses the hero in this comic-book sequel. Couldn’t glum, self-doubting Spidey afford to loosen up just a bit?
Seattle Weekly  |  Brian Miller  |  06-30-2004  |  Reviews

An Open Letter to Michael Moorenew

Michael Moore has produced a cogent negative statement on the war writ large enough to get everyone's attention, but the publisher of The Memphis Flyer would like him to remove two clips that seem unfair.
The Memphis Flyer  |  Kenneth Neill  |  06-29-2004  |  Reviews

Undercover and All Made Upnew

Wayans brothers' comedy depends on latex and whitewash.
Austin Chronicle  |  Marc Savlov  |  06-24-2004  |  Reviews

Tiger Beatnew

Two tiger cubs separated during infancy are cast to the winds of fate in French-occupied Indochina.
Austin Chronicle  |  Marrit Ingman  |  06-24-2004  |  Reviews

Notebook Needs Another Draftnew

The love sap flows freely in this movie romance told in retrospect.
Austin Chronicle  |  Kimberley Jones  |  06-24-2004  |  Reviews

Festival Charmer Graduates to Big Timenew

Indie film about teenage dork celebrates the youthful underdog.
Austin Chronicle  |  Marrit Ingman  |  06-24-2004  |  Reviews

Michael Moore Sets Off Sparksnew

Moore's agitprop is a political scorcher.
Austin Chronicle  |  Marc Savlov  |  06-24-2004  |  Reviews

Like Father, Like Sonnew

Melvin Van Peebles' son Mario pays tribute to his father's groundbreaking blaxploitation film Sweet Sweetback's Baad Asssss Song, and also settles a few old Oedipal scores along the way.
Austin Chronicle  |  Marjorie Baumgarten  |  06-24-2004  |  Reviews

Documentary Takes Respectful, Sober Look at Poet's Lifenew

The documentary gives you the itch to get reacquainted with Bukowski's work, preferably while sitting astride a barstool.
Creative Loafing (Atlanta)  |  Curt Holman  |  06-24-2004  |  Reviews

Poultry, sexual awakening make for queasy brewnew

The Mudge Boy is about a sexual rite of passage with as much murky, disturbing content as stories of female sexual awakening, but Mudge's tale of chicken-fried yokels and brutal life down-on-the-farm shows a fairly conventional, crude view of rural life that never quite jibes with its art film trappings.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  06-24-2004  |  Reviews

The Notebook is a hokey bag of Southern clichesnew

Everything from set design to dialogue to historical detail in The Notebook feels fake in this adaptation of crybaby novelist Nicholas Sparks' best-selling book.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  06-24-2004  |  Reviews

Fahrenheit challenges post-9/11 politicsnew

Addressing material that Hollywood has taken pains to avoid, Fahrenheit 9/11 lights a fire under its viewers and challenges the sacred cows of 21st-century America.
Creative Loafing (Atlanta)  |  Curt Holman  |  06-24-2004  |  Reviews

Moore of the Same, But Less Convincingnew

You can share Moore’s every political sentiment in the movie yet fail to be persuaded by his logic. It’s all associative, an argument by induction and inference. All the cheap shots and easy cuts—Iraqis bleed, Bush smirks—fail to make a coherent case.
Seattle Weekly  |  Brian Miller  |  06-23-2004  |  Reviews

Dodgeball Dazzles Dimly

Sloppy, shoddily constructed, so limp at times that a year’s supply of Viagra couldn’t stiffen it up, the movie plays like a season’s worth of America’s Funniest Home Videos as hosted by an aggro, way-macho Ben Stiller character.
Birmingham Weekly  |  Scot Lockman  |  06-21-2004  |  Reviews

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