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'I Am Legend': Not a Classicnew

There's a sizeable early-to-middle stretch in the decidedly post-apocalyptic flick that drew this viewer involuntarily (and more than once) to his seat-edge and managed to hold him more palpably rapt than a great many ostensibly comparable films of recent years.
San Antonio Current  |  Brian Villalobos  |  12-12-2007  |  Reviews

Silk Road Detoursnew

From Afghanistan's blasted terrain (The Kite Runner) to the tea fields of China (All in This Tea) at the movies -- two trips well worth taking.
East Bay Express  |  Kelly Vance  |  12-12-2007  |  Reviews

'I Am Legend': Apocalypse Nahnew

The biggest problem -- the one that prevents the film from rising above mediocrity -- is that it sometimes grabs you by the balls, yet it's afraid to twist like an apocalypse should.
Willamette Week  |  Ap Kryza  |  12-12-2007  |  Reviews

'Juno' Turns on a Heroine's Choicenew

I walked into Juno expecting to love it, and halfway through was beginning to think I didn't care for it very much. But the film soldiers on, and develops a gravity to match its gravidity.
Willamette Week  |  Aaron Mesh  |  12-12-2007  |  Reviews

$128 Million Later: Will Smith is the Last Movie Star on Earthnew

The exteriors are stunning, and sadly, an insistent, ongoing metaphor for the script's inability to suggest much interior life.
Chicago Newcity  |  Ray Pride  |  12-12-2007  |  Reviews

Guy Maddin Doses Audiences with Another Mad Vision of Yesteryearnew

Experimental fantasist Maddin continues his somewhat prolific career of weirdness with Brand Upon the Brain!, a curiously anachronistic horror-mystery the filmmaker describes as "semi-autobiographical."
Weekly Alibi  |  Devin D. O’Leary  |  12-11-2007  |  Reviews

Solitary Man

I Am Legend captures the eerie loneliness of the last man on earth.
Salt Lake City Weekly  |  Scott Renshaw  |  12-11-2007  |  Reviews

'Honey and Clover': Another Art School Confidentialnew

Honey and Clover is a live-action manga adaptation set in a college dorm full of silent longing and artistic insecurity.
Seattle Weekly  |  Brian Miller  |  12-10-2007  |  Reviews

'Atonement': A Novel Treatnew

It's that rare combo: a good movie based on a good book.
Chicago Reader  |  J.R. Jones  |  12-10-2007  |  Reviews

Barren Sci-fi Horror Bites the Hand That Wrote it

Director Francis Lawrence was clearly not the best choice to helm the latest adaptation of Richard Matheson's 1954 classic sci-fi/horror blender that spawned The Last Man on Earth and The Omega Man.
Maui Time  |  Cole Smithey  |  12-09-2007  |  Reviews

Strike Up the Bandnew

Eran Kolirin, the 34-year-old writer-director of The Band's Visit, has a sense of humor as dry as Bet Hatikva's arid desert wind and is too smart to bore us with ham-fisted humanistic bromides.
L.A. Weekly  |  Scott Foundas  |  12-07-2007  |  Reviews

John Cusack Enters the Iraq Weepstakesnew

Grace is Gone wants to massage liberal sensibilities about the war without alienating the church-going, Wal-Mart-shopping Middle Americans who might see, in Stanley Phillips, a reflection of themselves.
L.A. Weekly  |  Scott Foundas  |  12-07-2007  |  Reviews

Knocked-up Knockoutnew

Tart of tongue and sweet of disposition, Juno offers living proof that crisp writing, graceful directing and an abundantly poised young lead can perk up a premise that’s been bludgeoned to death.
L.A. Weekly  |  Ella Taylor  |  12-07-2007  |  Reviews

Guy Ritchie Steps Backwardnew

Revolver turns out to be a touchy-feely ultraviolent gangster flick. Come over here and give Scarface a hug, you big gruff pussycat.
Los Angeles CityBeat  |  Andy Klein  |  12-07-2007  |  Reviews

Cosmic Dustnew

The Golden Compass spins wildly trying to hit every point on the dial.
Fort Worth Weekly  |  Kristian Lin  |  12-06-2007  |  Reviews

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