AltWeeklies Wire

'Persepolis' Celebrates Power of Two Graphic Art Formsnew

It boggles my mind that a French and Persian filmmaking team beat Americans to the punch with such a definitive adaptation of a graphic novel.
Creative Loafing (Atlanta)  |  Curt Holman  |  01-23-2008  |  Reviews

Boys Don't Crynew

Why the best romantic comedies aren't about women.
Charleston City Paper  |  Conseula Francis  |  01-23-2008  |  Reviews

The Spooky Art of 'The Orphanage'new

The Orphanage is an effective, desperately unsettling ghost story that shows Hollywood how a horror movie should be done.
Charleston City Paper  |  Nick Smith  |  01-23-2008  |  Reviews

Deadly in Pinknew

Teeth's biting satiric gore meets the Brazilian kitchen sink drudgery of Alice's House.
East Bay Express  |  Kelly Vance  |  01-23-2008  |  Reviews

'Cloverfield''s 9/11 Infelicitiesnew

Last weekend's $46-million top-grosser essentially says that its characters and, by extension, its paying audience, deserves to be killed: New Yorkers, Americans, Abrams' target demographic. I never thought I would see a movie made in the United States that was so gung-ho about 9/11.
Chicago Newcity  |  Ray Pride  |  01-23-2008  |  Reviews

'Cloverfield' is Just a Monster Movie, Right?new

There's no way Cloverfield could possibly be worth the to-do. Could it?
Colorado Springs Independent  |  Maryann Johanson  |  01-22-2008  |  Reviews

Myth Guidednew

Woody Allen's latest Greek allusions don't add up to much.
Baltimore City Paper  |  Cole Haddon  |  01-22-2008  |  Reviews

Ground Zeronew

Cloverfield turns attacking New York into mass-market Hollywood entertainment.
Baltimore City Paper  |  Evan Guilfoyle  |  01-22-2008  |  Reviews

'Persepolis': A Good But Unnecessary Adaptationnew

While its minimalist black-and-white drawing style makes it a prime candidate for a translation from comics to film, Persepolis runs into a bit of a snag.
Philadelphia Weekly  |  Matt Prigge  |  01-22-2008  |  Reviews

'The Diving Bell and the Butterfly': Mind Over Matternew

Adapted memoir finds a man trapped in his body.
Isthmus  |  Kent Williams  |  01-22-2008  |  Reviews

'Honeydripper': Image Problemnew

John Sayles can write a good story, but can he tell it visually?
Chicago Reader  |  Jonathan Rosenbaum  |  01-22-2008  |  Reviews

Public Culpability Gets Credit for Torture

2008 gets its first installment of torture porn with a predictable thriller that blames a bloodthirsty public and big media for fostering an atmosphere of retribution violence.
Maui Time  |  Cole Smithey  |  01-20-2008  |  Reviews

'Cloverfield' is a Horrornew

It's taken just over six years for the idea of an escapist disaster movie set on the streets of New York City to go from pop-culture anathema to a hotly anticipated commercial commodity.
L.A. Weekly  |  Scott Foundas  |  01-18-2008  |  Reviews

Adrift in 'Cassandra's Dream'new

Woody Allen's latest casts him in uncertain waters.
L.A. Weekly  |  Scott Foundas  |  01-18-2008  |  Reviews

Actors on Cruise Controlnew

Directed by Callie Khouri at the pace of an unhurried stroll, the comforting predictability of Mad Money is a little like watching I Love Lucy in slow motion.
The Georgia Straight  |  John Lekich  |  01-18-2008  |  Reviews

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