AltWeeklies Wire

'30 Days of Night' = Half-assed Horrornew

Though it's based on the gloriously grotesque graphic novel by Steve Niles and Ben Templesmith, director David Slade and his screenwriters don't appear to be up to the task of transforming the source material into a viable horror film.
Dig Boston  |  Shaula Clark  |  10-17-2007  |  Reviews

City of Lost Childrennew

What's with all the dead babies in Boston? There's something distinctly crude about the simultaneous arrival of two new movies -- Gone Baby Gone and Reservation Road -- that focus on slain children and bereaved parents.
Willamette Week  |  Aaron Mesh  |  10-17-2007  |  Reviews

Grief, Love & Plastic Mingle in 'Lars and the Real Girl'new

The film couches its outrageous concept in classic Amer-indie trappings, including a naturalistic setting that incorporates small-town vistas, snowy cinematography, and a Sundance Channel-ready cast.
San Francisco Bay Guardian  |  Cheryl Eddy  |  10-17-2007  |  Reviews

The Brothers Affleck on 'Gone Baby Gone'new

First-time director Ben and lil' bro Casey dish on fame and family.
San Antonio Current  |  Cole Haddon  |  10-17-2007  |  Reviews

'Trade': Botched Deliverynew

The film trudges on lethargically like one of its drugged characters, crossing the finish line with cliched resolution, ultimately doing an injustice to the sex trafficking story.
Colorado Springs Independent  |  Matthew Schniper  |  10-16-2007  |  Reviews

'Terror's Advocate'

Only director Barbet Schroeder (General Idi Amin Dada: A Self Portrait) could capture this complex and engaging look at French lawyer Jacques Verges, the man who represented such villains as Nazi Klaus Barbie and cafe bomber Djamila Bouhired, who Verges married and had two children before vanishing for eight years.
Maui Time  |  Cole Smithey  |  10-16-2007  |  Reviews

Leave the Dick Jokes to Woody Allennew

Jay Jonroy, who wrote, directed and produced David and Layla, created one of the most witless cross-cultural romantic comedies I've ever seen -- and it's based on a true story.
Pittsburgh City Paper  |  Harry Kloman  |  10-15-2007  |  Reviews

Hip-Hop Hungarians Threaten President Bushnew

Since, outside of South Park, cartoons and politics generally don't mix, The District is a bold, vulgar treat, full of hip-hop serenades, dancing Russian hookers, international intrigue, and all manner of goofs on the ghetto culture we've exported so successfully to the Wild East.
Seattle Weekly  |  Brian Miller  |  10-15-2007  |  Reviews

Taken Away: U.S. Export Torture Policy Takes a Beating

After overblown stories of walkouts by critics during its Toronto film festival debut, Rendition proves to have enough substance, momentum and drama to validate its entertainment value as a politically charged thriller.
Maui Time  |  Cole Smithey  |  10-14-2007  |  Reviews

'The Heartbreak Kid' Gets Dumber and Dumbernew

The Farrelly brothers remake one of the great ignored films of the '70s -- badly.
The Memphis Flyer  |  Addison Engelking  |  10-12-2007  |  Reviews

Tony Gilroy's Power of Attorneynew

Gilroy is a veteran screenwriter (the Bourne movies) making his directorial debut, and there may be an interesting irony in the results: He seems to have been more successful in his new role than in his scripting job.
Artvoice  |  George Sax  |  10-12-2007  |  Reviews

'Up the Yangtze' Captures China in Transitionnew

Full of stunning images of contemporary China, it shows us the unsettling pace at which the nation's cultures are shifting, and the manner in which the country's newfound economic super-powerhouse status is bulldozing all other concerns.
Montreal Mirror  |  Matthew Hays  |  10-12-2007  |  Reviews

All Aboard the Night Trainnew

Montreal's Clyde Henry Productions on their strange and innovative stop-motion animation Madame Tutli-Putli.
Montreal Mirror  |  Mark Slutsky  |  10-12-2007  |  Reviews

'Sleuth': Better Home and Gardennew

But not much else in Kenneth Branagh’s remake.
L.A. Weekly  |  Ella Taylor  |  10-12-2007  |  Reviews

Boston Lethal

The soul- (and body-) killing streets of a city come to life in Gone Baby Gone.
Salt Lake City Weekly  |  Scott Renshaw  |  10-12-2007  |  Reviews

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