AltWeeklies Wire

Aaron Rose Presents a Love-letter to the Creative and Dispossessed in 'Beautiful Losers'new

Rose's directorial debut, is a quirky documentary about the rise of 10 under-appreciated—but highly influential—independent artists whose late 1980s and early '90s street culture roots and childlike spirit continue to shape contemporary pop culture.
New York Press  |  Ashna Ali  |  08-07-2008  |  Reviews

'Hell Ride': A Grindhouse Rejectnew

This Tarantino-produced flick is all geek posturing and biker cliches.
New York Press  |  Armond White  |  08-07-2008  |  Reviews

Looking Back at a Rock-and-roller Like Patti Smith is Hard to Donew

I've liked Patti Smith ever since Detroit's legendary Creem magazine published her definition of rock and roll in the poem "We Don’t Look Back!" So it's weird to see a looking-back film like Dream of Life, even though it is distinguished by documenting her constant effort to keep moving forward.
New York Press  |  Armond White  |  08-07-2008  |  Reviews

Guy Maddin, Now With More Hockeynew

With My Winnipeg, Maddin attempts a heroic midlife flight from his mythic Manitoban birthplace.
Willamette Week  |  Chris Stamm  |  08-06-2008  |  Reviews

'American Teen': Kids Todaynew

Nanette Burstein's documentary can't face the reality.
Creative Loafing (Atlanta)  |  David Lee Simmons  |  08-06-2008  |  Reviews

'Pineapple Express': Off the Railsnew

Is Judd Apatow losing steam?
Creative Loafing (Atlanta)  |  Curt Holman  |  08-06-2008  |  Reviews

Wealth and Privilege Have Rarely Looked So Luscious as in 'Brideshead'new

Lust for companionship. For God. For love. For real estate. For family. Everyone in Brideshead Revisited is hungry for something, and it gets them into terrific trouble.
Charleston City Paper  |  Felicia Feaster  |  08-06-2008  |  Reviews

Scott Hicks Documents a Composer's Life in 'Glass: A Portrait of Philip in Twelve Parts'new

At 71, composer Philip Glass is a comfortable member of the highbrow mainstream, as well as a renowned film composer with several scores under his belt. It wasn't always thus; his highly repetitive style made him the scourge of the classical establishment in the '70s.
Montreal Mirror  |  Malcolm Fraser  |  08-05-2008  |  Reviews

The Otherwise Captivating 'La Graine et le Mulet' is Hampered By Slow Pacingnew

While it may be somewhat of a prolonged exercise in indulgence, Graine is an otherwise engaging and true to life drama about a Maghrebi emigre's attempt to support his nearest and dearest.
Montreal Mirror  |  Hillary Brenhouse  |  08-05-2008  |  Reviews

Dig the New Breed; The Apatow Comedy Spree Continues

"Pineapple Express" could easily be titled the "Apatow Express" for the way it expands on Judd Apatow's influence as a modern-day Mel Brooks. The title refers to a hybrid kind of marijuana so rare that to smoke it is akin to "killing a unicorn."
Maui Time  |  Cole Smithey  |  08-04-2008  |  Reviews

The Interconnected Humanity of 'The Edge of Heaven' Edges on Clichenew

Is it just me, or is "the inevitable, tragic interconnectedness of all humankind" currently in danger of replacing "wise-cracking hitmen" as the most overworked arthouse cliche of our time?
Philadelphia Weekly  |  Sean Burns  |  08-04-2008  |  Reviews

That’s Exploi-tainment: Review of Pineapple Express

Pineapple Express takes a funny but unfocused stroll through 1970s cinema.
Salt Lake City Weekly  |  Scott Renshaw  |  08-04-2008  |  Reviews

'Chris & Don: A Love Story': A May-December Gay Romancenew

Nowhere in this fine, quiet, richly-sourced documentary is the phrase "gay marriage" ever uttered.
Seattle Weekly  |  Brian Miller  |  08-04-2008  |  Reviews

'American Teen': The YouTube Generation Gets the Movie It Deservesnew

Director Nanette Burstein is so intent here on making a nonfiction version of The Breakfast Club that she erases every trace of documentary convention for most of this pleasing but ultimately unconvincing film.
Seattle Weekly  |  Brian Miller  |  08-04-2008  |  Reviews

Dead and Gone, But Not Forgottennew

The many pleasures of this riveting psychological thriller from France derive more from the perplexing questions it raises than the discovery of the answers.
Austin Chronicle  |  Josh Rosenblatt  |  08-01-2008  |  Reviews

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