Trust the Audience
Chicago Reader |
February 11, 2008
Chicago Reader
Chicago Reader, a pioneer of the weekly alternative press, is one of the largest and most successful AAN publications, recognized throughout the industry for both editorial excellence and advertising impact. It publishes an average of 100 pages per week in...
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The comedian faces a classic African-American dilemma.
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When I first read about Bad Lieutenant: Port of Call New Orleans, it was described as a sequel to Abel Ferrara's 1992 cult favorite about a drug- and gambling-addicted police detective in New York City. When I next read about it, it was described as a remake. Now that I've seen it, I can report that it's neither.
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The most complex character in the movie, the one who provides the viewer with an entry point into this hothouse of violent fanatics, is herself a journalist -- Ulrike Meinhof, a columnist for the left-wing magazine Konkret who stunned her family and colleagues in May 1970 by throwing in with a cadre of self-styled revolutionaries.
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From Iraq to Iowanew
With a little help from Kartemquin Films, Usama Alshaibi documents the Arab-American experience.
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Chris Rock in a Hard Placenew
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Do Government Subsidies for Film Production Create a 'Race to the Bottom'?new
Especially now, when so many traditional jobs have been lost, "everybody wants to be Hollywood east," Cornell University professor Susan Christopherson says. It's "sexy meets desperation." More than 40 states are actively vying for movie production business, upping the ante on subsidies in what she calls a "race to the bottom."
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The Bad Lieutenant Gone Wildnew
When I first read about Bad Lieutenant: Port of Call New Orleans, it was described as a sequel to Abel Ferrara's 1992 cult favorite about a drug- and gambling-addicted police detective in New York City. When I next read about it, it was described as a remake. Now that I've seen it, I can report that it's neither.
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How Exactly is Diablo Cody's Update of the Rape-Revenge Shocker 'Feminist'?new
In the earlier rape-revenge movies, patriarchy was an evil to be overcome. In Jennifer's Body, on the other hand, an opening voice-over tells us that "hell is a teenaged girl"—or more precisely, the friendships between teenage girls. Cody claims that's feminist, but I must confess, I don't see it.
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