Chicago Reader
Chicago Reader, a pioneer of the weekly alternative press, is one of the largest and most successful AAN publications, recognized throughout the industry for both editorial excellence and advertising impact. It publishes an average of 100 pages per week in...
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Contact for Reprint Rights
- Market Served: Metropolitan Area
- Address: 350 North Orleans Street, 10th Floor, Chicago, IL 60654
- Phone: (312) 222-6920
More by Jonathan Rosenbaum
'Charlie Bartlett': Ritalin Rebellionnew
The film skewers assumptions about social class, psychopharmaceuticals, and so-called grown-ups.
Chicago Reader |
Jonathan Rosenbaum |
02-25-2008 |
Reviews
Tags: Charlie Bartlett, Jon Poll
'Honeydripper': Image Problemnew
John Sayles can write a good story, but can he tell it visually?
Chicago Reader |
Jonathan Rosenbaum |
01-22-2008 |
Reviews
Tags: Honeydripper, John Sayles
Complicated Charactersnew
Flawed people in flawed relationships make for a stimulating screenplay in Andrew Wagner's adaptation of Brian Morton's novel.
Chicago Reader |
Jonathan Rosenbaum |
12-17-2007 |
Reviews
More by Chicago Reader
From Iraq to Iowanew
With a little help from Kartemquin Films, Usama Alshaibi documents the Arab-American experience.
Chicago Reader |
Ed M. Koziarski |
08-09-2010 |
Profiles & Interviews
Tags: Usama Alshaibi, Kartemquin Films
Chris Rock in a Hard Placenew
The comedian faces a classic African-American dilemma.
Chicago Reader |
J.R. Jones |
04-26-2010 |
Reviews
Do Government Subsidies for Film Production Create a 'Race to the Bottom'?new
Especially now, when so many traditional jobs have been lost, "everybody wants to be Hollywood east," Cornell University professor Susan Christopherson says. It's "sexy meets desperation." More than 40 states are actively vying for movie production business, upping the ante on subsidies in what she calls a "race to the bottom."
Chicago Reader |
Deanna Isaacs |
11-30-2009 |
Movies
The Bad Lieutenant Gone Wildnew
When I first read about Bad Lieutenant: Port of Call New Orleans, it was described as a sequel to Abel Ferrara's 1992 cult favorite about a drug- and gambling-addicted police detective in New York City. When I next read about it, it was described as a remake. Now that I've seen it, I can report that it's neither.
Chicago Reader |
J.R. Jones |
11-23-2009 |
Reviews
How Exactly is Diablo Cody's Update of the Rape-Revenge Shocker 'Feminist'?new
In the earlier rape-revenge movies, patriarchy was an evil to be overcome. In Jennifer's Body, on the other hand, an opening voice-over tells us that "hell is a teenaged girl"—or more precisely, the friendships between teenage girls. Cody claims that's feminist, but I must confess, I don't see it.
Chicago Reader |
Noah Berlatsky |
09-28-2009 |
Reviews
