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Everything You'd Expect From Johnny Cash, Reallynew

An album full of hurt, devotion, malaise and dejection — American VI: Ain't No Grave is everything, really, that you’d expect from a well-rounded Cash album.
The Inlander  |  Leah Sottile  |  02-17-2010  |  Reviews

Johnny Cash Gets the Remix Treatmentnew

Cash purists have every right to blanch at these mixing-board artistes slicing and dicing his songs, but the results suggest that even from beyond the grave, the old man is fully capable of busting a move.
Houston Press  |  Chris Gray  |  11-04-2008  |  Reviews

Filmmaker Robert Gordon Chronicles the Impact of Johnny Cashnew

Johnny Cash's America grew out of a politically tinged discussion between the documentary's directors, author Robert Gordon and producer/director Morgan Neville.
The Memphis Flyer  |  Chris Davis  |  10-10-2008  |  Profiles & Interviews

Mississippi Pardons Johnny Cashnew

Johnny Cash spent a night incarcerated in the Oktibbeha County, Mississippi, jail in 1965. That event inspired his song "Starkville City Jail."
The Memphis Flyer  |  Staff  |  09-14-2007  |  Music

Sincere Spiritualitynew

Cash: Ultimate Gospel is a nice collection from a man equally familiar with the devil, the people and God.
Fort Worth Weekly  |  Tom Geddie  |  02-22-2007  |  Reviews

Cash on Delivery

Yes, kids, we have another Ray. Nearly to the letter, actually. But Joaquin Phoenix does Jaime Foxx one better by singing Johnny Cash's songs himself, a ridiculously risky move in portraying an icon whose voice was the thing. But damn if the boy doesn't pull it off.
Washington City Paper  |  Tricia Olszewski  |  11-18-2005  |  Reviews

Back In Black

Phoenix and Witherspoon bring the appropriate fire to the epic love story of Johnny Cash and June Carter, but director James Mangold's film never ignites.
Columbus Alive  |  Melissa Starker  |  11-17-2005  |  Reviews

The Usual Subtextsnew

The Johnny Cash biopic misinterprets the Man In Black as just another troubled artist in search of redemption.
Baltimore City Paper  |  Geoffrey Himes  |  11-16-2005  |  Reviews

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