AltWeeklies Wire
Celebrating the Underhyped Movies of 2004new
Plenty of fine films opened to little or no fanfare this year. New Times reviewers pick their favorite movies that didn't draw the adulation they deserved.
The Pitch |
Bill Gallo, Melissa Levine, Jean Oppenheimer, Luke Y. Thompson and Robert Wilonsky |
12-27-2004 |
Reviews
Tags: Various Directors, 2004's Best Films, Control Room, I Heart Huckabees, Donnie Darko: The Director's Cut, Kitchen Stories, Mean Creek, My Architect, Overnight, She Hate Me, Silver City, Tae Guk Gi: The Brotherhood of War, Tamala 2010: A Punk Cat in Space, The Corporation, The Manchurian Candidate, The Mother, The Story of the yearinreview 2004, The Terminal, The Twilight Samurai, Tokyo Godfathers, Weeping Camel
Silver Citynew
Silver City looks as if it might be another Lone Star, one of Sayles’s best movies, and instead turns out more like City of Hope, one of his worst.
Boston Phoenix |
Peter Keough |
09-22-2004 |
Reviews
Tags: John Sayles, Silver City
Dirty Politicsnew
There’s definitely ore to be mined in this political drama, but Sayles’ pan comes up with only particles of dust.
Austin Chronicle |
Marjorie Baumgarten |
09-21-2004 |
Reviews
Tags: John Sayles, Silver City
Silver City Express Takes Film Stars Around Coloradonew

John Sayles' new film, laden with Colorado political lore, is the first made in the state in many years. Westword editor Patricia Calhoun accompanies the director, actor Kris Kristofferson, cartoonist Tom Tomorrow and others on a promotional bus tour.
Murder on the Campaign Trailnew
With Silver City, Sayles lives up to the stereotype of the socially conscientious but humorless leftist. Imagine Ralph Nader trying to crack a joke on the campaign trail and you'll get a sense of Silver City's discomfort with comedy.
Creative Loafing (Atlanta) |
Curt Holman |
09-15-2004 |
Profiles & Interviews
Tags: John Sayles, Silver City
Silver City Stands Out in Season of Political Intriguenew
The new John Sayles movie, set and shot in Colorado, is downright bracing, and it has the kind of dramatic acumen the blunt propagandists can only dream about. There's no mistaking its liberal, or progressive, stance, but it's neither a bag of tricks nor a self-righteous rant.
All Aboardnew

John Sayles and his partner Maggie Renzi discuss the political messages in their film Silver City and describe how they pulled together the financing and cast.
Colorado Springs Independent |
Kathryn Eastburn |
09-03-2004 |
Profiles & Interviews