AltWeeklies Wire

Ben Affleck's Domain

Ben Affleck has so thoroughly reinvented himself as an actor that it's tempting to take for granted his commendable skills as a director even after his notable debut with "Gone Baby Gone."
City Pulse  |  Cole Smithey  |  09-13-2010  |  Reviews

An Inner Strugglenew

While 'The American' may strike most viewers as slow, others will see it as a creation with purpose.
Tucson Weekly  |  Colin Boyd  |  09-08-2010  |  Reviews

Immigrant Issuesnew

'Machete' delivers the fun action that other summer blockbusters could not
Tucson Weekly  |  Bob Grimm  |  09-08-2010  |  Reviews

Horny Teens Get a Mockumentary in The Virginity Hitnew

The Virginity Hit depicts a cadre of semiprivileged New Orleans teens whose penchant for illicit drinking, drug use and recording every moment of their lives on camera is more or less not worth remarking upon.
INDY Week  |  Zack Smith  |  09-08-2010  |  Reviews

"Machete Don't Text!"new

Don't start the revolution without Danny Trejo (Machete). And rethink your preconceptions of South Africa (White Wedding).
East Bay Express  |  Kelly Vance  |  09-08-2010  |  Reviews

It Is Not an Excellent Day for an Exorcismnew

When The Blair Witch Project became an out-of-nowhere phenomenon more than a decade ago, one of the most startling developments was how few attempts there were to rip it off.
Charleston City Paper  |  Scott Renshaw  |  09-08-2010  |  Reviews

Toronto Boundnew

BW's film reviewer heads to Canada for the Toronto International Film Festival. His goal: to catch as many of the fest's 300 films as possible while blogging obsessively and staying out of jail.
Boise Weekly  |  George Prentice  |  09-08-2010  |  Movies

Valhalla Rising is Visual and Violentnew

Beauty in blood.
Charleston City Paper  |  Kevin Young  |  09-08-2010  |  Reviews

Going the Distance Looks to an Outdated Romantic Comedy Formulanew

I'll have what they're having.
Charleston City Paper  |  Scott Renshaw  |  09-07-2010  |  Reviews

Mao's Last Dancer Blooms in Americanew

It may be hopelessly retro to say it, but this is the kind of film Hollywood used to make regularly: not focus-grouped to a niche market; dealing with the joys and sorrows of life and art.
INDY Week  |  Laura Boyes  |  09-02-2010  |  Reviews

The Extra Man Needs Extra Helpnew

Kevin Kline gives a wonderful performance in The Extra Man. That was to be expected. Unfortunately, his skills are wasted in one of the most disappointing films of the year.
Boise Weekly  |  George Prentice  |  09-02-2010  |  Reviews

George Clooney's Hit Man Hides Out in The Americannew

Few actors today both possess and exercise the star power needed to make films like The American. But artistic appreciation does not always produce artistry.
INDY Week  |  Neil Morris  |  09-02-2010  |  Reviews

The American: This Gun for Hirenew

Director Anton Corbijn has a jeweler's eye for visual detail, but he's still trying to get a handle on other cinematic elements. The result is a beautiful, boring movie that's the least interesting George Clooney outing since Ocean's Twelve.
Fort Worth Weekly  |  Kristian Lin  |  09-02-2010  |  Reviews

Cue the Green Pukenew

This exorcism faux-documentary won't make your head spin.
Tucson Weekly  |  Bob Grimm  |  09-01-2010  |  Reviews

Left Turn at the Equatornew

Oliver Stone's new documentary is eye-opening when it's not merely lazy.
Tucson Weekly  |  Colin Boyd  |  09-01-2010  |  Reviews

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