AltWeeklies Wire

Bearable Lightness

When an album's title is its only major misstep, well, that's something to be happy about.
Washington City Paper  |  Joe Dempsey  |  11-03-2006  |  Reviews

Under Pressure

Banks doesn’t exactly make good on his promise to "make" some of the fine producers he's unearthed.
Washington City Paper  |  Sarah Godfrey  |  11-03-2006  |  Reviews

The Mook of Love

Saturday Night Wrist is no disaster, but it definitely shows what happens when a talented frontman decides that it’s time to assuage his own boredom.
Washington City Paper  |  Joe Warminsky  |  11-03-2006  |  Reviews

Greasepaint and Suffering

My Chemical Romance still excels at pop-punk, but everything about The Black Parade calls for more imagination than it displays here.
Washington City Paper  |  Mark Richardson  |  11-03-2006  |  Reviews

What It Takes

This album charges right into unfiltered Southern soul, and its target audience may need a few listens to digest it.
Washington City Paper  |  Michael J. West  |  10-20-2006  |  Reviews

Cogito Ergo Summit

Mastodon makes toast of other metal bands.
Washington City Paper  |  Christopher Porter  |  10-20-2006  |  Reviews

Ready to Buy

Combs wasn't always this lame.
Washington City Paper  |  Chris Richards  |  10-20-2006  |  Reviews

Stations of the Bossnew

The Hold Steady get lit, literate.
Washington City Paper  |  David Dunlap Jr.  |  10-13-2006  |  Reviews

Active Voicenew

At 76, Coleman still sparkles.
Washington City Paper  |  Brent Burton  |  10-13-2006  |  Reviews

The Wild, the Innocent, and the iPod Shuffle

We look to the Killers for thrills, not wisdom, and more often than not, Sam's Town delivers.
Washington City Paper  |  Mark Richardson  |  09-29-2006  |  Reviews

Shag-a-dull-ic

When you're barely outselling Paris Hilton, you've got trouble.
Washington City Paper  |  Sarah Godfrey  |  09-29-2006  |  Reviews

My Art Belongs to Daddy

Beyonce fields a new team but comes up short.
Washington City Paper  |  Sarah Godfrey  |  09-29-2006  |  Reviews

Unclear on the Concept

M. Ward's Post-War has a concept problem: The war he's singing about isn't over.
Washington City Paper  |  Justin Moyer  |  09-22-2006  |  Reviews

Empire Strikes Out

Empire sounds as if it were composed on a pub napkin when the band was on bacchanalian auto-pilot during five spare minutes between a drunken brawl with Liam Gallagher and a failed pass at Kate Moss.
Washington City Paper  |  Aaron Leitko  |  09-22-2006  |  Reviews

Seven the Hard Way

Carter's death only makes his and Grammer's blues more transcendental.
Washington City Paper  |  Pamela Murray Winters  |  09-18-2006  |  Reviews

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