AltWeeklies Wire

Serious Monkey Businessnew

When will people learn that non-domesticated animals are dangerous?
Tucson Weekly  |  Catherine O'Sullivan  |  03-05-2009  |  Animal Issues

Jesus and Meatnew

PETA's claims that good Christians should be vegetarians lack biblical backing.
Tucson Weekly  |  Tom Danehy  |  03-05-2009  |  Religion

Comic-Nerd Chicnew

On first spin, the novelty of Kirby Krackle seems better-suited for the convention circuit than a discriminating CD collection. However, repeated listens reveal accomplished songcraft that will reward anyone wishing Weezer's Rivers Cuomo would return to writing about D&D.
Tucson Weekly  |  Jarret Keene  |  02-26-2009  |  Reviews

Alela Diane's 'To Be Still'new

If there's one un-ironic collection of ballads by a Nevada City elf maiden to purchase in these waning days of winter, it's To Be Still.
Tucson Weekly  |  Sean Bottai  |  02-26-2009  |  Reviews

Different Shades of Irish Greennew

Beoga blend traditional Irish with tango, blues, polka, gospel, pop and even New Orleans second-line music.
Tucson Weekly  |  Gene Armstrong  |  02-26-2009  |  Reviews

The Creepshow Isn't Afraid to Take on U.S. Customs -- Almostnew

Like the bastard offspring of Elvis Costello and Elvira, The Creepshow is a Canadian "hellbilly" (horror-punk-rockabilly) act that hits every known musical sweet spot.
Tucson Weekly  |  Jarret Keene  |  02-26-2009  |  Profiles & Interviews

'Madea Goes to Jail' Makes It Clear: Tyler Perry Really Needs to Be Stoppednew

It seems like every time somebody farts, a new Tyler Perry movie comes out. Perry's latest, Madea Goes to Jail, stinks to high heaven, so that backs up that theory.
Tucson Weekly  |  Bob Grimm  |  02-26-2009  |  Reviews

Steven Soderbergh's Two-Part 'Che' Biopic Is a True Work of Artnew

But Che is a work of art much more than it's an attempt at political statement-making, and on that front, what Soderbergh has done is truly impressive.
Tucson Weekly  |  James DiGiovanna  |  02-26-2009  |  Reviews

The Perennial Outsider: 'Years of Refusal'new

Morrissey is back to form with this, by far his best album since 1994's Vauxhall and I.
Tucson Weekly  |  James Hudson  |  02-20-2009  |  Profiles & Interviews

Bruce Springsteen's 'Working on a Dream'new

Springsteen accurately captures the catchy simplicity of '60s pop on his latest record.
Tucson Weekly  |  Michael Petitti  |  02-20-2009  |  Reviews

Tommy Keene's 'In the Late Bright'new

With In the Late Bright, Tommy Keene once again unveils 11 expertly crafted, guitar-powered pop songs.
Tucson Weekly  |  Jarret Keene  |  02-20-2009  |  Reviews

Origami Ghosts Are Neither Complicated Nor Scary; Discussnew

Origami Ghosts' music is not complicated nothingness, and it's far from frustrating--it's actually quite the opposite: minimalist everythingness, if you will, easy to listen to and surprisingly playful.
Tucson Weekly  |  Annie Holub  |  02-20-2009  |  Profiles & Interviews

A.A. Bondy Prefers Recording in Barns to Fiddling with Computersnew

There are two types of successful indie-folk musicians: the kind that takes your breath away, and the kind that breaks your heart.
Tucson Weekly  |  Jarret Keene  |  02-20-2009  |  Profiles & Interviews

The New 'Friday the 13th' Is Better Than the Originalnew

Producer Michael Bay again joins with director Marcus Nispel to reboot an iconic slasher-film franchise--and the result is a slick and respectable remake of Friday the 13th.
Tucson Weekly  |  Bob Grimm  |  02-20-2009  |  Reviews

'Moscow, Belgium' Succeeds by Revealing the Diversity of the Everydaynew

Moscow, Belgium won't be the best movie you'll see this year, and it doesn't aim to change the world or make a lot of money or destroy communism. What it does aim to do is demonstrate how watching ordinary people can be completely compelling, and also, how ordinary people don't have a standard form.
Tucson Weekly  |  James DiGiovanna  |  02-20-2009  |  Reviews

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