Alela Diane's 'To Be Still'
Tucson Weekly |
February 26, 2009
Tucson Weekly
Founded in 1984, the Tucson Weekly has become an iconoclastic institution in this sprawling desert boom town with a population approaching 1 million. With its reputation for diverse, compelling journalism with an edge, the paper has built a readership of...
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More by Sean Bottai
Janelle Monáe: The Electric Ladynew
Janelle Monáe swung for the fences on 2010's hyper-ambitious The ArchAndroid, hustling between musical styles and sidestepping pop star shenanigans in order to announce the arrival of a serious artiste. The Electric Lady doesn't represent a reimagining of Monáe's project...
Tucson Weekly |
Sean Bottai |
09-12-2013 |
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Tags: Janelle Monae
Fuck Buttons: Slow Focusnew
One of the oddest and most impressive things about Slow Focus is how it manages to burble, groan, stammer and seethe and yet it never crosses the line from melody into discord. From the cacophonous percussion that ushers in the opening track, "Brainfreeze," Slow Focus often seems as if, at any moment, it might break apart into science-fiction static...
Tucson Weekly |
Sean Bottai |
08-09-2013 |
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Diamond Rings: Free Dimensionalnew
When Toronto musician John O'Regan transformed himself from punk-band frontman to glam-rock diva on 2010's Special Affections, the results were a wonderful and skeletal album of electro-glam.
Tucson Weekly |
Sean Bottai |
11-15-2012 |
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Tags: Diamond Rings
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Hope is the Resolvenew
Indie rock quartet Signals tells a story about the challenges of faith on their new EP, Hindsight
Tucson Weekly |
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Celebrating the Silencesnew
Thirty years after his breakthrough album, Steve Roach is still in the Sonoran Desert creating "resonant sonic spaces"
Tucson Weekly |
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Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
Tucson Weekly |
Gene Armstrong |
03-27-2014 |
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Marianne Dissard: The Cat. Not Menew
French-born Marianne Dissard left her longtime home of Tucson last year, but not before recording her third proper album, one that pairs ambitious musical leaps with greater emotional vulnerability. Variety has characterized Dissard's musical path, from 2008's L'Entredeux (written with and produced by Calexico's Joey Burns), which found Dissard channeling Americana through her French chanson tradition, to the bright and theatrical L'Abandon (2011) to two loose, off-the cuff recordings, made in Berlin and Paris with her small touring ensembles...
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Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
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