Tucson Weekly
Founded in 1984, the Tucson Weekly has become an iconoclastic institution in this sprawling desert boom town with a population approaching 1 million. With its reputation for diverse, compelling journalism with an edge, the paper has built a readership of...
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Contact for Reprint Rights
- Market Served: Metropolitan Area
- Address: 3725 Mona Lisa Rd. Ste. 125, Tucson, AZ 85741
- Phone: (520) 797-4384
More by Sean Bottai
Janelle Monáe: The Electric Ladynew
Janelle Monáe swung for the fences on 2010's hyper-ambitious The ArchAndroid, hustling between musical styles and sidestepping pop star shenanigans in order to announce the arrival of a serious artiste. The Electric Lady doesn't represent a reimagining of Monáe's project...
Tucson Weekly |
Sean Bottai |
09-12-2013 |
Reviews
Tags: Janelle Monae
Diamond Rings: Free Dimensionalnew
When Toronto musician John O'Regan transformed himself from punk-band frontman to glam-rock diva on 2010's Special Affections, the results were a wonderful and skeletal album of electro-glam.
Tucson Weekly |
Sean Bottai |
11-15-2012 |
Reviews
Tags: Diamond Rings
Sasha Go Hard: Do You Know Who I Am?new
Young rapper/vocalists like Rye Rye and Azealia Banks epitomize a post-millennial sass that's all about eclecticism.
Tucson Weekly |
Sean Bottai |
08-16-2012 |
Reviews
More by Tucson Weekly
Hope is the Resolvenew
Indie rock quartet Signals tells a story about the challenges of faith on their new EP, Hindsight
Tucson Weekly |
Joshua Levine |
08-01-2014 |
Profiles & Interviews
Tags: Signals
Celebrating the Silencesnew
Thirty years after his breakthrough album, Steve Roach is still in the Sonoran Desert creating "resonant sonic spaces"
Tucson Weekly |
Jason P. Woodbury |
04-14-2014 |
Profiles & Interviews
Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
Tucson Weekly |
Gene Armstrong |
03-27-2014 |
Profiles & Interviews
Marianne Dissard: The Cat. Not Menew
French-born Marianne Dissard left her longtime home of Tucson last year, but not before recording her third proper album, one that pairs ambitious musical leaps with greater emotional vulnerability. Variety has characterized Dissard's musical path, from 2008's L'Entredeux (written with and produced by Calexico's Joey Burns), which found Dissard channeling Americana through her French chanson tradition, to the bright and theatrical L'Abandon (2011) to two loose, off-the cuff recordings, made in Berlin and Paris with her small touring ensembles...
Tucson Weekly |
Eric Swedlund |
02-13-2014 |
Reviews
Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
Tucson Weekly |
Annie Holub |
01-16-2014 |
Music
