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Top 10 List Recognizes Good Storytellingnew

Truth turned out to be less compelling than pure inventiveness in 2004, which explains the critic's No. 1 choice, Eternal Sunshine of the Spotless Mind.
Seattle Weekly  |  Brian Miller  |  01-03-2005  |  Reviews

From the Bamboo Grove to W(h)ine Countrynew

The best of 2004 came from all over the cinematic map: foreign films, American independents, and, yes, some big-budget mainstream efforts.
Boston Phoenix  |  Peter Keough  |  12-29-2004  |  Reviews

Eternal Sunshine Brightens a Dark Year for Moviesnew

Nine of Michael Atkinson's Top 10 hobbled at the box office in a year he calls the worst for movies since 1981.
The Village Voice  |  Michael Atkinson  |  12-29-2004  |  Reviews

Huckabees Is Film Critic's Top Choicenew

I (Heart) Huckabees, David O. Russell's blithely profound mishmash of screwball Sartre and zany Zen, tops Dennis Lim's list. He calls it "a furiously depressed howl of liberal-left impotence that somehow lands on a grace note of provisional optimism."
The Village Voice  |  Dennis Lim  |  12-29-2004  |  Reviews

Underground Movie Is No. 1 on Critic's Top 10 Listnew

Ken Jacobs' Star Spangled to Death, a vast, ironic pageant of 20th-century American history, is the ultimate underground movie, says J. Hoberman, who chooses it as the best film of 2004.
The Village Voice  |  J. Hoberman  |  12-29-2004  |  Reviews

Critics' Poll of Best Films of 2004new

Before Sunset was ranked the top film of 2004 in Village Voice's film critics' poll. It was mentioned by 49 judges. Films are ranked from 1 to 139.
The Village Voice  |  Staff Writers  |  12-29-2004  |  Movies

Two Top-10 Lists of Picture Perfect Filmsnew

Two L.A. Alternative Press critics agree that The Aviator, Eternal Sunshine of the Spotless Mind and Vera Drake are among the year's best films.
L.A. Alternative  |  Jay Antani and Luisa F. Ribeiro  |  12-28-2004  |  Reviews

The Top 10 in a Year of Solid Filmmakingnew

While there were no real masterpieces in 2004, there were enough solid films to make two serviceable top-10 lists of equal value.
Gambit  |  David Lee Simmons  |  12-28-2004  |  Reviews

Movies That Heated Up Cinemas in 2004new

Not one of the political documentariess distributed this year made a fraction of Fahrenheit 9/11's earnings, and deservedly so, because not one outraged, engaged or entertained the way Michael Moore's film did.
The Pitch  |  Bill Gallo, Melissa Levine, Jean Oppenheimer, Luke Y. Thompson and Robert Wilonsky  |  12-27-2004  |  Movies

Celebrating the Underhyped Movies of 2004new

Plenty of fine films opened to little or no fanfare this year. New Times reviewers pick their favorite movies that didn't draw the adulation they deserved.
The Pitch  |  Bill Gallo, Melissa Levine, Jean Oppenheimer, Luke Y. Thompson and Robert Wilonsky  |  12-27-2004  |  Reviews

Small Movies Came Up Big in 2004new

New Times critics pick as their top film of the year Alexander Payne's Sideways, which juxtaposes a wine freak's brittle angst with his friend's doofy recklessness.
The Pitch  |  Bill Gallo, Melissa Levine, Jean Oppenheimer, Luke Y. Thompson and Robert Wilonsky  |  12-27-2004  |  Reviews

From Major to Minornew

Where once "independent film" meant a movie made outside the clutches of Hollywood, now it means simply a movie that resembles something done on the fringes. It's no longer a question of ownership, but of aesthetics.
The Pitch  |  Robert Wilonsky  |  12-27-2004  |  Movies

Holiday Films Focus on the Fixatednew

A round-up of opening throughout the holiday season.
Creative Loafing (Atlanta)  |  Curt Holman  |  11-24-2004  |  Reviews

Austin Chronicle Movie Guidenew

The Austin Chronicle offers an up-to-date searchable online database of full-length reviews of thousands of films that have opened in Austin over the past 10 years. Current reviews are approximately 500 words. Capsules reviews, which generally run 125 to 175 words, are also available by request.
Austin Chronicle  |  Various  |  11-04-2004  |  Reviews

Peppy Pieces of Propaganda Viable at Box Officenew

As Election Day draws near, going to the movies feels increasingly like switching on infomercials, and they're all selling the same thing: regime change in the White House.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-30-2004  |  Reviews

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