AltWeeklies Wire

Welcome to the Doll Factorynew

Soderbergh doesn't condescend to middle America, but he doesn't do much of anything else either.
The Village Voice  |  Michael Atkinson  |  01-25-2006  |  Reviews

The First Realistic Reality Filmnew

A truly amazing reality film (in every sense of the word), Bubble has produced a new approach: method acting taken to a different extreme -- call it "reality acting."
Dig Boston  |  David Wildman  |  01-25-2006  |  Reviews

Too Real to Feel Goodnew

Soderbergh's HD experiment is magic-free.
San Antonio Current  |  Cole Haddon  |  01-25-2006  |  Reviews

From Major to Minornew

Where once "independent film" meant a movie made outside the clutches of Hollywood, now it means simply a movie that resembles something done on the fringes. It's no longer a question of ownership, but of aesthetics.
The Pitch  |  Robert Wilonsky  |  12-27-2004  |  Movies

Coasting on Famenew

Ocean's Twelve is too strung out and relaxed to succeed.
Tucson Weekly  |  Bob Grimm  |  12-16-2004  |  Reviews

The Crap Pack is Backnew

Megaton charisma can't save sequel.
Missoula Independent  |  Nicole Panter  |  12-16-2004  |  Reviews

Faker's Dozennew

Unlike its predecessor, a remake that clung to a hoary heist formula, the sequel contains ample pleasures, most of which amuse as the result of surprises both great and small.
Cleveland Scene  |  Luke Y. Thompson  |  12-13-2004  |  Reviews

Making Wavesnew

Soderbergh sails on the mainstream appeal of his campy sequel to Ocean's Eleven.
Boston Phoenix  |  Peter Keough  |  12-10-2004  |  Reviews

A Hepcat's Paradisenew

Like Soderbergh’s Ocean's Eleven and 1960’s Rat-Packing original, Ocean's Twelve is an elaborate and delightful excuse to get the screen’s biggest and most gorgeous stars in the same film.
Austin Chronicle  |  Marc Savlov  |  12-09-2004  |  Reviews

Sequel Takes High-Action Stakes on the Roadnew

The sequel to Ocean's Eleven unfolds as a complex heist picture that considers the honor among thieves and reveals plenty of their trade secrets. Each film offers a master-class on how to steal in plain sight.
Creative Loafing (Atlanta)  |  Curt Holman  |  12-09-2004  |  Reviews

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