AltWeeklies Wire

Club Lifenew

A dreamy mood movie, 3-Iron is at times deliciously sensual, creepily somnolent, whimsically spiritual, and disturbingly violent. But it is never quite coherent.
SF Weekly  |  Melissa Levine  |  05-11-2005  |  Reviews

Rose in Bloomnew

The title characters in this highly literate film are an unreconstructed hippie remnant from the 1960s and his dreamy-eyed teenage daughter, who live in self-imposed exile on an island off the mid-Atlantic coast.
SF Weekly  |  Bill Gallo  |  04-09-2005  |  Reviews

The Grapes of Mirthnew

Jonathan Nossiter's documentary exposing the globalization of the wine industry is subversive, funny and humane.
SF Weekly  |  Melissa Levine  |  04-09-2005  |  Reviews

Love, African Stylenew

A drama about Truth and Reconciliation Commission hearings in post-apartheid South Africa devolves into a clumsy romance.
SF Weekly  |  Melissa Levine  |  03-21-2005  |  Reviews

Finder's Feenew

Damian Cunningham is an angel-faced, 7-year-old boy who's lost his mum and gets advice on how to spend a load of cash from the late, great saints.
SF Weekly  |  Robert Wilonsky  |  03-21-2005  |  Reviews

Get Shoddynew

Be Cool is redundant to the point of being absolutely pointless, a sequel that's almost a note-for-note, beat-for-beat redo of its predecessor, only with all the entertaining stuff left out.
SF Weekly  |  Robert Wilonsky  |  03-02-2005  |  Reviews

The Camera's Weeping Eyenew

This is a gorgeous, wrenching film in which a concerned Westerner enters a dark and hidden world and, instead of merely observing it, endeavors to change it.
SF Weekly  |  Melissa Levine  |  02-11-2005  |  Reviews

He's Got Legsnew

The true story of a Thai transgender kickboxer inpires a well-intentioned film with a heart of gold -- and a brain of lead.
SF Weekly  |  Melissa Levine  |  01-24-2005  |  Reviews

Searching for Shylocknew

Pacino plays Shakespeare's most contentious character in a a gripping, highly cinematic adaptation of a gorgeous work of theater.
SF Weekly  |  Melissa Levine  |  01-19-2005  |  Reviews

Lights, Camera, Gospel!new

San Francisco's Voice of Pentecost is a church with a mission to take on Hollywood. Its production company, Christian WYSIWYG Filmworks, is working on a retelling of the Bible story of Joseph, set in a science-fiction world of the future.
SF Weekly  |  Lessley Anderson  |  01-12-2005  |  Movies

Run, Dick, Runnew

If you know your history, you might suspect this film isn't quite a suspense thriller. Rather, it's a sort of updated Death of a Salesman.
SF Weekly  |  Luke Y. Thompson  |  01-11-2005  |  Reviews

Father of African Cinema Produces a Beautiful Polemicnew

The 81-year-old Senagelese director's film about girls fleeing ritual circumcision has a moral center that is painfully clear. It also expresses each character's humanity.
SF Weekly  |  Melissa Levine  |  01-04-2005  |  Reviews

Cuts Like a Knifenew

To say that actress Ziyi Zhang burns like a young sword-wielding Audrey Hepburn, would slight a masterpiece that must be seen to be believed.
SF Weekly  |  Robert Wilonsky  |  12-21-2004  |  Reviews

Crash and Yearnnew

Martin Scorsese's bio of Howard Hughes is the most sumptuous of this year's biographical films -- appropriate, given its subject matter's penchant for wasting millions chasing fantasies other men couldn't even afford to dream about.
SF Weekly  |  Robert Wilonsky  |  12-21-2004  |  Reviews

Sour Lemonynew

The villain of Lemony Snicket, Count Olaf, just may be Jim Carrey's finest role. The rest of the movie, however, isn't quite up to Carrey's level.
SF Weekly  |  Luke Y. Thompson  |  12-21-2004  |  Reviews

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