AltWeeklies Wire

'A Thousand Years of Good Prayers': Bother Figurenew

A universe of regret, loneliness, and unease can exist between two family members sitting at a dinner table—especially when one of those people is visiting from a foreign country, experiencing his daughter’s adopted home for the first time.
Washington City Paper  |  Tricia Olszewski  |  10-02-2008  |  Reviews

'Religulous' and 'Nick & Norah's Infinite Playlist': He of Little Faithnew

Bill Maher vents some righteous anger at religion in his new documentary.
Washington City Paper  |  Tricia Olszewski  |  10-02-2008  |  Reviews

Paul Newman, 1925-2008new

Paul Newman, who died last weekend at the age of 83, was that rarest of creatures, a movie star who turned himself into a great actor.
Boston Phoenix  |  Steve Vineberg  |  10-02-2008  |  Movies

Simon Pegg's Radioactive Risenew

The Shaun of the Dead star on losing friends, alienating people, and wanking off to Gillian Anderson.
Boston Phoenix  |  Brett Michel  |  10-02-2008  |  Profiles & Interviews

'Ballast': An African-American Indie Film Fantasy Made for White Liberalsnew

Director-writer Lance Hammer shows a black Mississippi family torn apart by a double suicide attempt, drugs and alienation. But you have to see through these ludicrous black phantoms to the actual white middle-class fantasies at the film's core.
New York Press  |  Armond White  |  10-02-2008  |  Reviews

The Gospel According to Bill Mahernew

A documentary hoax readymade for the bitter barroom politico.
New York Press  |  Armond White  |  10-02-2008  |  Reviews

'Blindness' is Just Apocalypse Pornnew

Who'd guess that Miracle at St. Anna wasn't the worst film of the week? That honor goes to Fernando Meirelles' Blindness.
New York Press  |  Armond White  |  10-02-2008  |  Reviews

Jonathan Demme Succeeds with Anne Hathaway in His Family-Chaos Filmnew

Avoiding the hip nihilism of repugnant family dramas like Margot at the Wedding and Before the Devil Knows You're Dead, Demme offers compassion.
New York Press  |  Armond White  |  10-02-2008  |  Reviews

Sensory Overload: 'Blindness' Can be Hard to Watchnew

Don't let its uplifting previews lull you: Every moment of triumph and joy in Blindness has to be earned from a film that may rank among the darkest in cinema.
Arkansas Times  |  Sam Eifling  |  10-02-2008  |  Reviews

Ryan Fleck and Anna Boden on Their Masterful Story of an Immigrant Ballplayer, 'Sugar'new

Sugar, the couple's follow-up to Half Nelson, is in some regards even more assured, more stylistically and tonally distinctive than its predecessor.
VUE Weekly  |  Josef Braun  |  10-02-2008  |  Profiles & Interviews

'Nick & Norah's Infinite Playlist' Hits All the Right Notesnew

Nick & Norah's playlist may not be infinite, but it creates such good vibrations that it's definitely transcendent.
Creative Loafing (Atlanta)  |  Curt Holman  |  10-01-2008  |  Reviews

Nick and Norah's Adventures Get Tiringnew

The characters crisscross Manhattan through adventures and emotional highs and lows — including a string of celebrity cameos and a rather creative sexual encounter in a recording studio — that rightly leaves audiences feeling just as worn out by the time the sun finally rises.
San Antonio Current  |  Cole Haddon  |  10-01-2008  |  Reviews

'Blindness': Fade to Whitenew

Blindness, a screen adaptation of Portuguese author Jose Saramago's novel, explores the probable effects of a widespread and incurable epidemic in the present day, though the storyline's most far-fetched aspects suggest the film is really an obtuse metaphor never fully elaborated.
San Antonio Current  |  Jeremy Martin  |  10-01-2008  |  Reviews

'The Lucky Ones': Back From Iraq, But Lost in Americanew

The Lucky Ones is a road movie, but, though Colee, Fred Cheever, and T.K. Poole cover more than 1,700 miles after deplaning at JFK, the film is remarkably indifferent to the physical landscape of the United States.
San Antonio Current  |  Steven G. Kellman  |  10-01-2008  |  Reviews

That's Bill Maher in the Spotlight, Losing His Religion.new

The catechism running through the movie is the question of who is more annoying: God or Bill Maher?
Willamette Week  |  Aaron Mesh  |  10-01-2008  |  Reviews

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