AltWeeklies Wire

Dumate Brings Together Underground Hip-Hop and Street Rapnew

It seems that backpack rap is alive and well in Madison. That's thanks in part to dumate, the five-person hip-hop collective that performs with sharp rhymes, sizzling samples and progressive themes.
Isthmus  |  Jessica Steinhoff  |  04-27-2009  |  Profiles & Interviews

Black Moth Super Rainbow Prepares New Releasenew

Even as Black Moth Super Rainbow has emerged as a national touring act, a reputation for being press-shy and mysterious has clung to the keyboard-based psychedelic sextet. It's finally time to set the record straight.
Pittsburgh City Paper  |  Mike Shanley  |  04-27-2009  |  Profiles & Interviews

The Secret Handshake's 'My Name Up in Lights'new

Few acts among the crowded Dallas mall-pop scene are as sonically promising as The Secret Handshake.
Dallas Observer  |  Pete Freedman  |  04-27-2009  |  Reviews

Seattle Hip-Hop Act Merges Old-School Swagger with New-School Appealnew

Dyme Def lives on that thin line between cockiness and confidence. They fully embrace rap's boasting tradition, but they're comical enough with their punch lines and prose that it works.
Seattle Weekly  |  Jonathan Cunningham  |  04-27-2009  |  Profiles & Interviews

Black Joe Lewisnew

Putting out an album reflecting your influences is one thing, but for Black Joe Lewis and the Honeybears to last beyond the flavor-of-the-month period, they need a single worthy of the legends they emulate.
Jackson Free Press  |  Rob Hamilton  |  04-24-2009  |  Profiles & Interviews

Avett Brothersnew

Scott and Seth Avett have bluegrass in their blood, but the pair actually cut their teeth on old-fashioned rock ’n' roll. Their fifth and finest album, Emotionalism, bears hallmarks of folk, rock,pop and even punk, filtered through the brothers' heart-on-the-sleeve aesthetic.
Gambit  |  Noah Bonaparte Pais  |  04-24-2009  |  Profiles & Interviews

Spoon: What's Left Behind After the Layers Are Peelednew

The Austin, Texas quartet Spoon engineers its music with laser-focused precision, and no sound is wasted. Spoon's sixth album Ga Ga Ga Ga Ga adds another installment to the band's repertoire of hollowed-out and ultra-slim post-punk.
Gambit  |  Alex Woodward  |  04-24-2009  |  Music

'Ten' + 18

Pearl Jam's touchstone grunge record gets a fresh coat of paint 18 years later.
Metroland  |  John Brodeur  |  04-23-2009  |  Reviews

Silversun Pickups' 'Swoon' Produces a Musical Fugue Statenew

The second full-length album by this young Los Angeles quartet melds pop-rock conventions with robust guitarscapes, hypnotic rhythms and lyrics that juggle angst, trepidation and beauty.
Tucson Weekly  |  Gene Armstrong  |  04-23-2009  |  Reviews

Depeche Mode Is Still Chainednew

Depeche Mode has made their most sonically inspired and creative effort since 1986's Black Celebration.
Tucson Weekly  |  James Hudson  |  04-23-2009  |  Reviews

'Wyllt' Is the Stuff of Nightmaresnew

For every horrendous indie-rock act praised in the virtual pages of music blogs, there's a musically accomplished group of post-headbangers knocking on hell's door--and one such group is Black Math Horseman.
Tucson Weekly  |  Jarret Keene  |  04-23-2009  |  Reviews

The Strange World of Bat for Lashes Is a Lot Like Oursnew

Hype and fans like Bjork and Thom Yorke notwithstanding, bat girl Natasha Khan's musical world is often a solitary and strange place.
Boston Phoenix  |  Daniel Brockman  |  04-23-2009  |  Profiles & Interviews

Independent Artists Revive Alternative Formatsnew

Underground music acts and labels are keeping physical music releases alive with cassette tapes, 7-inch records, CD-Rs, 3-inch and business card CDs, 8-tracks, USB strips and countless other object-fetishist curiosities.
Fast Forward Weekly  |  Jesse Locke  |  04-23-2009  |  Music

C'mon, Del, Give Us Something to Care Aboutnew

Del the Funky Homosapien—probably the first rapper to ever sport a nose ring and a lip ring—has long had a peculiar way of traversing the hip-hop world, and his latest effort isn't any different.
INDY Week  |  Eric Tullis  |  04-23-2009  |  Profiles & Interviews

There Is No Black Metal Scene in New Yorknew

New York is home to more than 20 bands that are known to be black metal. And yet, unlike the indie scene you can follow on Brooklyn Vegan or OhMyRockness, there is no sense of community in what could be the biggest black metal scene in the country.
New York Press  |  Adam Wisnieski  |  04-23-2009  |  Music

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