AltWeeklies Wire

For This Werner Herzog Film, the Title Says It Allnew

Werner Herzog uses an amateurish script and bizarre acting to create a film that makes it seem like he lost a bet.
Tucson Weekly  |  James DiGiovanna  |  03-17-2010  |  Reviews

The Latest 'Bad Lieutenant' Isn't Good or Bad. It Just Isnew

Bad Lieutenant: Port of Call New Orleans (why the "Port of Call" part? Who knows! Who cares!) is a conventional detective thriller in basic form, but the procedural elements are sometimes listless.
The Memphis Flyer  |  Chris Herrington  |  01-22-2010  |  Reviews

Nicolas Cage and Werner Herzog Talk 'Bad Lieutenant'new

When the news broke at Cannes last year that Nicolas Cage and Werner Herzog were remaking Abel Ferrara's Bad Lieutenant, everyone thought it was a joke. But less than a year and a half later, their movie touched down in Toronto and turned into the festival's biggest surprise.
NOW Magazine  |  Norman Wilner  |  11-23-2009  |  Profiles & Interviews

The Bad Lieutenant Gone Wildnew

When I first read about Bad Lieutenant: Port of Call New Orleans, it was described as a sequel to Abel Ferrara's 1992 cult favorite about a drug- and gambling-addicted police detective in New York City. When I next read about it, it was described as a remake. Now that I've seen it, I can report that it's neither.
Chicago Reader  |  J.R. Jones  |  11-23-2009  |  Reviews

Ice-age Excursion From German Visionary Werner Herzog.new

Filmmaker Werner Herzog is legendary for his tireless quests to capture mankind’s attempt to conquer the unconquerable. From the title character, a Spanish soldier, in Aguirre, the Wrath of God who makes a ruthless march toward the city of gold to the real-life jungle prisoner Dieter Dengler in Little Dieter Needs to Fly, Herzog’s subjects first must be humbled before they can be redeemed.
Orlando Weekly  |  Justin Strout  |  07-24-2008  |  Reviews

It's the 'End of the World' as Werner Herzog Knows Itnew

It takes some time to realize that what seems like a whimsical travelogue is in fact something much more. It is cliche, at this point, to refer to Herzog's work as "poetic." But then that ultimate and most cliched cliche becomes necessary: It's cliche because it’s true.
Santa Fe Reporter  |  Emiliano Garcia-Sarnoff  |  07-24-2008  |  Reviews

Werner Herzog Sits on the Bottom of the Worldnew

Herzog, contemporary cinema's most consistently lyrical examiner of the (in)human condition, returns to the documentary form in yet another wonderfully improbable locale: Antarctica.
Austin Chronicle  |  Marc Savlov  |  07-18-2008  |  Reviews

Werner Herzog Ponders the Last Place on Earthnew

Speaking to the legendary German filmmaker is like speaking to God -- a crazy and pessimistic God, perhaps, but one capable of making divine films.
Boston Phoenix  |  Peter Keough  |  07-03-2008  |  Profiles & Interviews

It's the End of the World and Werner Herzog Knows Itnew

With his latest film, Encounters at the End of the World, he has become the only professional director to have made films on all seven continents. He accomplished the feat by going somewhere entirely unlike, well, everywhere else: Antarctica.
San Diego CityBeat  |  Anders Wright  |  07-02-2008  |  Reviews

Werner Herzog's Gross 'Encounters'new

In his latest attempt to capture visual wonder, Herzog finds the quirky; but it's not that amazing.
New York Press  |  Armond White  |  06-19-2008  |  Reviews

Harmony Korine Unleashes His Zombies on Celebrity Culturenew

Yes, he makes movies about repellent creatures, but his directorial career -- one of the freak occurrences of the '90s -- is also back from the dead.
New York Press  |  Armond White  |  05-01-2008  |  Reviews

Does Werner Herzog Take Werner Herzog Seriously Anymore?new

Encounters at the End of the World is principally a collection of Herzog's Antarctic vacation pictures; the movie feels like an episode of Travels with Rick Steves if the show were hosted by a perpetually gloomy German.
Willamette Week  |  Aaron Mesh  |  05-01-2008  |  Reviews

Detournew

Emotionally and geographically, Rescue Dawn covers familiar territory for Werner Herzog.
Eugene Weekly  |  Jason Blair  |  08-07-2007  |  Reviews

Green Hell: 'Rescue Dawn'new

Christian Bale insists that heroism is a function of a bottomless simplicity; it's not a larger-than-life attitude one carries around everywhere.
Metro Silicon Valley  |  Richard von Busack  |  08-01-2007  |  Reviews

'Rescue Dawn': The Sheltering Flynew

As usual, a Werner Herzog movie isn't what it looks like on the surface.
Baltimore City Paper  |  Ian Grey  |  07-31-2007  |  Reviews

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