AltWeeklies Wire
Bob Dylan: 'Tempest'new
Time Out of Mind (1997) started the best chapter of Bob Dylan’s late career, thus setting a new, unbelievable standard for himself and his contemporaries — that of the rare legend who keeps getting better with time.
San Antonio Current |
Enrique Lopetegui |
09-16-2012 |
Reviews
Cat Power: 'Sun'new
There are a few things we've come to expect from Cat Power, indie rock's most reliably miserablist singer-songwriter this side of Elliott Smith. Suffice to say, when she caps her new electro-pop album with an 11-minute "I Wanna Live!" mantra ("Nothin' But Time") it's pretty goddamn shocking.
San Antonio Current |
J.D. Swerzenski |
09-16-2012 |
Reviews
Foxygen: Take the Kids Off Broadwaynew
Rarely is bedroom pop played with such hyperactive abandon. Foxygen, the duo of Sam France and Jonathan Rado, present a debut album that never sits still, careening wildly, even within individual songs, across a wide range of pop, rock and avant-garde influences.
Tucson Weekly |
Eric Swedlund |
09-13-2012 |
Reviews
Welcome to 'Algiers'new
Calexico releases its first studio recording in four years.
Tucson Weekly |
Jim Nintzel |
09-13-2012 |
Profiles & Interviews
AmoChip Dabney: Not Out of Words (Microchip)new
For anyone familiar with AmoChip Dabney's various stage personas, this all-instrumental improvisational suite for piano is probably the last thing you'd expect to hear. A multi-instrumentalist excelling on saxophones, keyboards and bass, Dabney is the consummate pro.
Tucson Weekly |
Jim Lipson |
09-13-2012 |
Reviews
Where He Needs To Benew
Legendary punk frontman Keith Morris seems revived by OFF!
Tucson Weekly |
Casey Dewey |
09-13-2012 |
Profiles & Interviews
Tags: Keith Morris
The (Brief) Return of Boyjazznew
After a five-year hiatus, the Oakland band returns for one triumphant show.
East Bay Express |
Kathleen Richards |
09-13-2012 |
Music
Our Band Could Be Your Bandnew
How the Brooklynization of culture killed regional music scenes.
Washington City Paper |
Justin Moyer |
09-13-2012 |
Music
The Evil Tenors' Peach Fuzznew
Peach Fuzz finds Durham's Nathan White breaking in a new sound and a new personality, adapting to unfamiliar surroundings and figuring out how to fit in.
Tags: The Evil Tenors
Ben Folds eats humble pienew
Ben Folds is in his mid-40s. But when it comes to his songwriting, that doesn't mean what you'd think it means.
Charleston City Paper |
Paul Bowers |
09-12-2012 |
Profiles & Interviews
Tags: Ben Folds, Ben Folds Five
The surprising perseverance of psychedelianew
Unyoked from its tie-dyed connotations, psychedelia is right in tune with a world where surrealism and high-definition realism have become the norm.
Tags: psychedelia
The Rise of Intricacy in Indie Rock's Female Voicesnew
The past few years have seen complicated, virtuosic singing—previously confined to big-label product—come to define female artists breaking new ground.
Hootie guitarist Mark Bryan falls in lovenew
Mark Bryan doesn't miss Columbia. As any good South Carolinian knows, Bryan's band, Hootie and Blowfish, met on the campus on the University of South Carolina.
Charleston City Paper |
Paul Bowers |
09-05-2012 |
Profiles & Interviews
Charlton Singleton escapes the ska scene to emerge as one of Charleston's jazz greatsnew
In one of Charlton Singleton's first City Paper appearances, he was decked out a yellow vinyl suit. Back in the day, the noted Charleston jazz man was a backing vocalist and cornet player for SKWZBXX, a now-defunct ska band.
Charleston City Paper |
Paul Bowers |
09-05-2012 |
Profiles & Interviews
Tags: Charlton Singleton, SKWZBXX
The Tallest Man on Earth: There's No Leaving Nownew
A couple of years after his breakthrough sophomore album, The Wild Hunt, Swedish singer/songwriter Kristian Matsson has toned things down for There's No Leaving Now, but it's still a beguiling, dark work.
Tucson Weekly |
Michael Petitti |
08-30-2012 |
Reviews
