Tucson Weekly
Founded in 1984, the Tucson Weekly has become an iconoclastic institution in this sprawling desert boom town with a population approaching 1 million. With its reputation for diverse, compelling journalism with an edge, the paper has built a readership of...
More »
Contact for Reprint Rights
- Market Served: Metropolitan Area
- Address: 3725 Mona Lisa Rd. Ste. 125, Tucson, AZ 85741
- Phone: (520) 797-4384
More by Jim Lipson
Surf's Upnew
The Beach Boys celebrate 50 years with a tour featuring the return of several original members.
Tucson Weekly |
Jim Lipson |
04-19-2012 |
Profiles & Interviews
Tags: Beach Boys
The Tall Paul Band: Sleepernew
Blues guitarist Tall Paul Webner has been flying under the local radar for more than 20 years, playing off nights in bars often well off the beaten path. Yet, mention his name to any number of working musicians, and the response is often, "Man, that guy can play!"
Tucson Weekly |
Jim Lipson |
01-02-2012 |
Reviews
Sabra Faulk: Acoustic Angelnew
Those in the business of writing about music love to make comparisons; it makes the job easier. This makes it all the more challenging (and gratifying!)
Tucson Weekly |
Jim Lipson |
12-05-2011 |
Reviews
Tags: sabra faulk
More by Tucson Weekly
Hope is the Resolvenew
Indie rock quartet Signals tells a story about the challenges of faith on their new EP, Hindsight
Tucson Weekly |
Joshua Levine |
08-01-2014 |
Profiles & Interviews
Tags: Signals
Celebrating the Silencesnew
Thirty years after his breakthrough album, Steve Roach is still in the Sonoran Desert creating "resonant sonic spaces"
Tucson Weekly |
Jason P. Woodbury |
04-14-2014 |
Profiles & Interviews
Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
Tucson Weekly |
Gene Armstrong |
03-27-2014 |
Profiles & Interviews
Marianne Dissard: The Cat. Not Menew
French-born Marianne Dissard left her longtime home of Tucson last year, but not before recording her third proper album, one that pairs ambitious musical leaps with greater emotional vulnerability. Variety has characterized Dissard's musical path, from 2008's L'Entredeux (written with and produced by Calexico's Joey Burns), which found Dissard channeling Americana through her French chanson tradition, to the bright and theatrical L'Abandon (2011) to two loose, off-the cuff recordings, made in Berlin and Paris with her small touring ensembles...
Tucson Weekly |
Eric Swedlund |
02-13-2014 |
Reviews
Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
Tucson Weekly |
Annie Holub |
01-16-2014 |
Music
