AltWeeklies Wire

Death by Inches: Why Eric Fonseca’s Film Won’t Bring Down the Housenew

The house of Eric Fonseca, the auteur behind the latest stop-motion-animation adaptation of Poe’s The Fall of the House of Usher is in no way gloomy or in ill-repair. It’s just another house on a typical Southwest San Antonio street.
San Antonio Current  |  Jeremy Martin  |  03-10-2010  |  Profiles & Interviews

When in Romania, Do as the Romanians Do: Nothingnew

A Romanian cop named Cristi gathers evidence on some poor kid for smoking a little hash. See Cristi follow the kid to school. See Cristi pick up a joint. See Cristi eat lunch. See Cristi pick up another joint.
Willamette Week  |  Alistair Rockoff  |  03-10-2010  |  Reviews

Team Effort: Review of 'She's Out of My League'

True ensemble work contributes to the hilarity in She’s Out of My League.
Salt Lake City Weekly  |  Scott Renshaw  |  03-08-2010  |  Reviews

Stumbling to the Altar: Interracial Marriage Comedy Leaves Both Lawns Bare

Writer/director Rick Famuyiwa's version of interracial marriage is about as much fun as a trip to the dentist.
City Pulse  |  Cole Smithey  |  03-08-2010  |  Reviews

Too Little Too Late: Paul Greengrass Switches Teams, But to What End?

Director Paul Greengrass attempts to overcompensate for his unthinkably flat 2006 propaganda piece United 93 with a shaky-cam Iraq war picture.
City Pulse  |  Cole Smithey  |  03-08-2010  |  Reviews

An Analysis of Oscar's Not-So-Major Categoriesnew

Hey, look! It’s an Oscar ceremony in March, just like we used to have every year. With all the attention on the Best Picture and acting races as usual, I’m running my third annual rundown of some of the lesser-known categories to help you with your Oscar pool.
Fort Worth Weekly  |  Kristian Lin  |  03-07-2010  |  Movies

Compact Visions: 2009's Oscar-Nominated Short Filmsnew

It would be a mistake to look at short film as only a step on the way to features, just as it would be unfair to think of short stories as only an introduction to an eventual novel.
Eugene Weekly  |  Molly Templeton  |  03-04-2010  |  Reviews

Fantasy Island This Isn’tnew

With great swipes of heavy cello music, the brooding, frightening Shutter Island opens aboard a ferry sluicing through the fog. Aboard the vessel are Teddy Daniels (Leonardo DiCaprio), a federal marshal, and his new partner Chuck Aule (Mark Ruffalo). Their destination is Shutter Island in the Boston harbor.
Eugene Weekly  |  Jason Blair  |  03-04-2010  |  Reviews

Eisner Doesn't Try For Symbolism and His Reboot is Better For Itnew

Breck Eisner’s remake of George Romero’s The Crazies is one of those movies dishonest critics use for target practice. It has no big names or budget that they feel compelled to respect and so disrespect inspires them to ignore its visual wit and skillful pacing.
New York Press  |  Armond White  |  03-04-2010  |  Reviews

Wake Up and Smell the Oscars: They Stink!new

Everyone has their wakeup moment about the Academy Awards: A moment when you put away childish belief and realize it’s not at all about art but about popularity (as Sally Field once indicated and then got lambasted for her clarity).
New York Press  |  Armond White  |  03-04-2010  |  Movies

Lost Down the Rabbit Hole: Tim Burton's Hesitant 'Alice in Wonderland'new

Messing with classics is dangerous business. The fact that Tim Burton's Alice in Wonderland isn't a straight retelling of the Lewis Carroll books might be motivated, as stated, by a desire to give the tale more narrative heft, but it also feels like a pulled punch.
The Portland Mercury  |  Marjorie Skinner  |  03-04-2010  |  Reviews

Portland Stays Weird at TV’s 'America’s Got Talent' Auditionsnew

The AGT crew was in Portland looking for more talented and crazy people. It was the last and smallest stop on an eight-city audition circuit that included New York, L.A. and Chicago. Jason Raff, one of the show’s executive producers, says AGT chose Portland this year in part because “not many shows are filmed here.” In other words, we’re fresh meat.
Willamette Week  |  Ari Phillips  |  03-03-2010  |  Profiles & Interviews

Old-Fashioned Horror Film Has Ample Scares and Fun Suspensenew

Zack Snyder began his Dawn of the Dead remake with The Man Comes Around, and director Breck Eisner has utilized Cash's version of We'll Meet Again to kick off his redo of The Crazies. Cash's wavering, vulnerable voice acts as a nice precursor to zombie terror.
Tucson Weekly  |  Bob Grimm  |  03-03-2010  |  Reviews

Bruce Willis and a Surprisingly Tame Mood Ultimately Bring Down 'Cop Out'new

Regrettably, the film almost feels afraid of the genre. For an R-rated tribute to the trash cinema of yesteryear, it feels like PG-13 fluff. There aren't nearly enough F-bombs; there's absolutely no nudity, and very little explosive blood.
Tucson Weekly  |  Bob Grimm  |  03-03-2010  |  Reviews

When it Comes to the Oscars, Tom is on Team 'Hurt Locker'new

It's Oscar time, and you know what that means! OK, I don't know what that means, either, but I might actually tune in to the last 15 minutes, just to see if the gutless wonders who run Hollywood will reward The Hurt Locker and leave James Cameron to cry in his billion-dollar box-office take from Avatar.
Tucson Weekly  |  Tom Danehy  |  03-03-2010  |  Movies

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