AltWeeklies Wire

Rose Hill Drive is Retro, So Deal With Itnew

Moon is the New Earth features several entertainingly excessive blues-rock booglarizers, the groups expands their horizons to include power pop, garagey rave-ups and even vintage psychedelia.
Westword  |  Michael Roberts  |  06-23-2008  |  Reviews

Lil Wayne Proves He Can Make a Cohesive Albumnew

Tha Carter III is pop rap to giggle to and marvel at, from "Phone Home," where Wayne gives his outer-space shtick the full treatment, to "Misunderstood," in which he disses Al Sharpton and imparts that he lives next door to a child molester.
Westword  |  Ben Westhoff  |  06-23-2008  |  Reviews

Weezer Phones in Its New Albumnew

The group's latest self-titled release is practically a novelty disc, albeit a notably lazy one.
Westword  |  Michael Roberts  |  06-23-2008  |  Reviews

Weezer Makes One-Third of a Decent Albumnew

The rest, though: unlistenable, nothing to see here, move along.
Dallas Observer  |  Robert Wilonsky  |  06-23-2008  |  Reviews

N.E.R.D. Has Charisma in Spadesnew

N.E.R.D. again delivers amazing beats and shows great instincts for how to get the club hopping.
Tucson Weekly  |  Kristine Peashock  |  06-19-2008  |  Reviews

The Prolific Robert Pollard's Latest is a Doozynew

The hardest-working man in indie rock has released an album that's an unadulterated joy.
Tucson Weekly  |  Gene Armstrong  |  06-19-2008  |  Reviews

The Spill Canvas Makes Music for Young-Adults Who Will One Day Grow Out of Itnew

The high-octane and painfully earnest material here is like that of Dashboard Confessional or Jimmy Eat World, before they decided to stop whining and pull themselves up by their bootstraps.
Tucson Weekly  |  Gene Armstrong  |  06-19-2008  |  Reviews

KAZE Could Certainly Teach a Course in Agitpropnew

Block 2The Basement -- part of Rawkus Records' plan to release 50 albums by 50 relative unknowns -- perpetuates the image of KAZE as hip hop's selfless lensman, directing the attention away from any personal woes by focusing on the broader malaises of this hip-hop generation.
INDY Week  |  Eric Tullis  |  06-19-2008  |  Reviews

Alejando Escovedo: The Forrest Gump of Musicnew

Whenever seminal events happened, he was usually in the vicinity.
San Antonio Current  |  Gilbert Garcia  |  06-18-2008  |  Reviews

Coldplay Takes a Stab at Respectabilitynew

Despite some genuinely winning moments, it just doesn't cut deep enough.
San Antonio Current  |  Chuck Kerr  |  06-18-2008  |  Reviews

'Verbs' Shows Off Au's Compositionsnew

Beautiful and restrained instrumental passages lead into maniacal, choral group chants; vaudevillian theatrics nestle against almost-classical backdrops; accordions operate in waltz time.
Willamette Week  |  Michael Mannheimer  |  06-18-2008  |  Reviews

The Explorers Club Channels the Beach Boysnew

Everything on Freedom Wind has been faithfully rendered, from its lush, four-part harmonies to its evocative timpani-rolls to the CD booklet's resemblance to a well-worn record sleeve with the vinyl edges showing through.
San Francisco Bay Guardian  |  Todd Lavoie  |  06-18-2008  |  Reviews

N.E.R.D. Shows All Technique and No Soulnew

Human emotion cannot be created using ProTools.
SF Weekly  |  Ben Westhoff  |  06-18-2008  |  Reviews

Liz Phair Returns From 'Guyville' Exilenew

By rereleasing Exile in Guyville and taking it on the road, she's allowing her fans to revel in that time when she crystallized the experience of taking bad boys to bed.
SF Weekly  |  Jennifer Maerz  |  06-18-2008  |  Reviews

Wolf Parade Brings Order to Its Packnew

Where once Wolf Parade's top dogs walked divergent paths, their new album finds them working together with brilliant results.
Seattle Weekly  |  Brian J. Barr  |  06-17-2008  |  Reviews

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