AltWeeklies Wire

Green Day Breaks Down 21st-Century Politicsnew

21st Century Breakdown proves that Green Day still has the power to rally the troops, even without a specific enemy to fight against. The band has been vaulted to mainstream punk's socially conscious mouthpiece, and the trio's Bay Area lefty ideals are as lofty as its songwriting gestures.
SF Weekly  |  Jennifer Maerz  |  05-14-2009  |  Reviews

Kanye's Latest is a Singular Testament to Indescribable Sufferingnew

Thematically, 808s and Heartbreak plunges deeper into West's usual neuroses (insecurity, spiritual unease, and the difficulties of celebrity). The death of his mother and a relationship fissure have brought these concerns into sharper focus.
SF Weekly  |  Ben Westhoff  |  12-03-2008  |  Reviews

Davila 666 is Puerto Rico's Answer to the Black Lipsnew

Disparate patches of Radio Birdman, the Dead Boys, and rudimentary jangle pop are all threaded onto the album, the charms of which are multiplied by the fact that Davila 666 sounds like it was recorded live at a basement birthday party.
SF Weekly  |  Jennifer Maerz  |  09-24-2008  |  Reviews

N.E.R.D. Shows All Technique and No Soulnew

Human emotion cannot be created using ProTools.
SF Weekly  |  Ben Westhoff  |  06-18-2008  |  Reviews

Liz Phair Returns From 'Guyville' Exilenew

By rereleasing Exile in Guyville and taking it on the road, she's allowing her fans to revel in that time when she crystallized the experience of taking bad boys to bed.
SF Weekly  |  Jennifer Maerz  |  06-18-2008  |  Reviews

Usher's Latest Doesn't Break the Rulesnew

On Here I Stand, Usher claims to be a player no more, making the album a bit of a snore.
SF Weekly  |  Ben Westhoff  |  06-04-2008  |  Reviews

Black Angels Sophomore Album Plays It Safenew

Directions to See A Ghost isn't spooky, or inspired.
SF Weekly  |  Jennifer Maerz  |  06-04-2008  |  Reviews

The Roots Still Fight the Fightnew

The state of "conscious" rap is in serious flux right now, which is why the Roots' aggressive, disorienting Rising Down feels timely and urgent.
SF Weekly  |  Ben Westhoff  |  05-23-2008  |  Reviews

Foxy Brown Gets Too Predictablenew

Since her days as a 16-year-old prodigy on her multiplatinum debut Ill Na Na, her voice has lost all traces of vulnerability, and here she's morphed into a law-evading, fucking, materialistic caricature.
SF Weekly  |  Ben Westhoff  |  05-23-2008  |  Reviews

Inspired By Who?new

The press release for Alopecia claims that Why? ringleader Yoni Wolf was inspired "as much by MF Doom and Lil' Wayne as J. Newsom and Big Dylan."
SF Weekly  |  Ben Westhoff  |  03-05-2008  |  Reviews

Twelve Ways the Hives Could've Made a Better Record for Interscopenew

Beyond employing Timbaland or Pharrell Williams.
SF Weekly  |  Jennifer Maerz  |  02-14-2008  |  Reviews

Too $hort's Latests Falls Shortnew

Get Off the Stage's ten songs mostly regurgitate past work; it's hard to believe the rapper has never made a song called "Broke Bitch" before.
SF Weekly  |  Eric K. Arnold  |  12-20-2007  |  Reviews

The Best CDs of 2007new

Here is a list of my most favorite discs coming with me into 2008.
SF Weekly  |  Jennifer Maerz  |  12-05-2007  |  Reviews

Little Brother Splits with Atlantic Records and 9th Wondernew

Getback is largely a personal reflection on the past year's events, which also includes the duo's parting ways with producer 9th Wonder.
SF Weekly  |  Ben Westhoff  |  11-08-2007  |  Reviews

Is Ghostface as Dumb as He Wants You to Think He is?new

Ghostface Killah is a brilliant storyteller and lyricist, and is the only Wu-Tang Clan member still making relevant solo albums. He's also a cry baby.
SF Weekly  |  Ben Westhoff  |  10-31-2007  |  Reviews

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