AltWeeklies Wire

Tom Petty Comes Back Home

Petty’s third solo album and 13th overall is a glimpse into the soul of a musicman.
Austin Chronicle  |  Darcie Stevens  |  10-07-2006  |  Reviews

Over the Edge

Mars Volta has dived head first into the abyss of self-indulgent, brain-fried, mad-tapping wankery -- but this you already knew.
Austin Chronicle  |  Darcie Stevens  |  10-07-2006  |  Reviews

Creep Out

The Knife is rewriting the definition of electro-pop.
Austin Chronicle  |  Darcie Stevens  |  10-07-2006  |  Reviews

Amy Millan Goes Solo

Amy Millan, the elfish voice behind Stars and collaborator with Broken Social Scene, worked for three years on her debut solo album -- surprisingly, Honey From the Tombs is the furthest thing from indie rock.
Austin Chronicle  |  Darcie Stevens  |  10-07-2006  |  Reviews

A Zen-Masternew

Aficionados of way out-there dub music, IDM, and broken beat will likely note some similarities in Krush's abstract style, which has made him one of the true masters of trip hop, or whatever they're calling it these days.
SF Weekly  |  Erik K. Arnold  |  10-02-2006  |  Reviews

An Hour of Unmatched Punk Rocknew

Something of a holy grail of hardcore, the Bad Brains' three-day run at CBGB in late 1982 is spoken of in hushed tones, referred to reverently and as the object of attendance fibs.
Orlando Weekly  |  Jason Ferguson  |  10-02-2006  |  Reviews

Aesthetic Fusionnew

Two new DVDs bridge the gap between visual art, music and filmmaking.
Orlando Weekly  |  Jason Ferguson  |  10-02-2006  |  Reviews

Reggae Gangsta Gets Flippantnew

When it comes to Jah, Stephens cuts through all the holy, self-righteous bullshit tainting the lyrics of some roots music.
The Village Voice  |  Makkada B. Selah  |  10-02-2006  |  Reviews

The Wild, the Innocent, and the iPod Shuffle

We look to the Killers for thrills, not wisdom, and more often than not, Sam's Town delivers.
Washington City Paper  |  Mark Richardson  |  09-29-2006  |  Reviews

Shag-a-dull-ic

When you're barely outselling Paris Hilton, you've got trouble.
Washington City Paper  |  Sarah Godfrey  |  09-29-2006  |  Reviews

My Art Belongs to Daddy

Beyonce fields a new team but comes up short.
Washington City Paper  |  Sarah Godfrey  |  09-29-2006  |  Reviews

Riddle Me Thisnew

It's No. 8 for Richard Buckner, and he sounds like, um, himself.
Illinois Times  |  Rene Spencer Saller  |  09-29-2006  |  Reviews

The Hold Steady Slipsnew

This album extends Craig Finn's Bruce Springsteen-meets-Jack Kerouac babbling into anthemic, piano-anchored choruses but with as much -- if not more -- lyrical malady as melody.
Creative Loafing (Atlanta)  |  Tony Ware  |  09-28-2006  |  Reviews

A Few Singles, Not Two Discs' Worthnew

The archivists at Hip-O Select have released the first in a series of limited edition double-disc sets collecting all of James Brown's singles. Knowing the goodness that lies in store when they get to the voluminous non-LP singles of the late '60s and early '70s, it’s easy to forgive the contents of this set.
Orlando Weekly  |  Jason Ferguson  |  09-25-2006  |  Reviews

FutureFake Timberlakenew

FutureSex/LoveSounds is such a transparent gambit that you can see right through the disc if you hold it up to the light.
Los Angeles CityBeat  |  Chris Morris  |  09-25-2006  |  Reviews

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