AltWeeklies Wire

Scout Niblett Balances Eccentricity and Confidencenew

This Fool Can Die Now shows that Niblett has talent in spades -- and it speaks so much louder when she focuses on substance over style.
Willamette Week  |  Paige Richmond  |  10-03-2007  |  Reviews

Remember Gene Watson?new

Nashville hasn't forgotten him, as Vince Gill, Lee Ann Womack, Connie Smith, Rhonda Vincent, Joe Nichols and Mark Chesnutt turn up to help out with duet and background vocals on In a Perfect World, Watson's first album for New Jersey folk/roots label Shanachie.
Houston Press  |  Chris Gray  |  10-02-2007  |  Reviews

Death-Thrash-Power-Metal Beast Skeletonwitch Releases Third Albumnew

The mere presence of a track titled "Soul Thrashing Black Sorcery" says everything you need to know about Beyond the Permafrost.
Cleveland Scene  |  D.X. Harris  |  10-02-2007  |  Reviews

The Flower-Punk Childrennew

The Black Lips act as rowdy curators of ’60s psychedelic rock, preserving a stripped-down sound and garage quality while resisting the smooth, crisp digital style of 21st century recording.
Jackson Free Press  |  Andi Agnew  |  09-27-2007  |  Reviews

Au Naturalenew

The mellow yet faintly haunting warmth of Gonzalez' voice caught my ear when he performed with Zero 7, and it has mesmerized me ever since.
Jackson Free Press  |  Andi Agnew  |  09-27-2007  |  Reviews

Cowby Jack Clement's Pre-YouTube Clipsnew

Like your crazy uncle with the Super-8 camera, Cowboy Jack Clement's "home movies" capture decades of himself and his crew in all their goofy glory that the undocumented life is just not worth living.
Charleston City Paper  |  Jon Santiago  |  09-27-2007  |  Reviews

Unearthed Gemnew

This newly discovered recording of a 1964 concert is an exhilarating piece of history -- especially due to the appearance of Eric Dolphy, who would die just months afterward.
Tucson Weekly  |  Gene Armstrong  |  09-27-2007  |  Reviews

Vicious Vicious Breaks Hearts on 'Parade'new

The third release by this sweet-and-vicious side project, in which Appelwick seduces with wingmen Adrian Suarez (on bass) and Heath Henjum (on drums), makes no promises about what will happen when the sun rises and last night's glitter gets swept into the dustbin.
City Pages (Twin Cities)  |  Sarah Askari  |  09-27-2007  |  Reviews

Animal Collective: The Gateway Drug to Experimental Musicnew

Over five albums, they've developed a strident sonic approach, using noise, sustained tones, short, iterative samples, delirious tribal drumming and sing-to-the-sky harmonies to make points of skewing pop on a slow-burn pyre.
INDY Week  |  Grayson Currin  |  09-27-2007  |  Reviews

Go West, Says The Afterparty's New Albumnew

Whereas 2004's Forever After and last year's Under the Rainbow showcased soft-focus, barroom pastorals with gentle guitars and frontman Danny Fischer playing a Brylcreemed crooner, this new one captures the band's live sound.
The Pitch  |  Jason Harper  |  09-26-2007  |  Reviews

Trenchtown Texans Create Joyful Skanew

Ryan Scroggins was Los Skarnales's keyboardist, and from the sound of the Trenchtown Texans' debut, also their resident ska fiend.
Houston Press  |  John Nova Lomax  |  09-26-2007  |  Reviews

Old Time Relijun: Bad in that Good Waynew

It takes 90 seconds to dismiss Old Time Relijun’s new album, Catharsis in Crisis, as completely unlistenable, but listen again.
Willamette Week  |  Paige Richmond  |  09-26-2007  |  Reviews

Tractor Operator Gets Dark, Real Darknew

There's a shadow hanging over Bleeding Hearts and Severed Legs, as well -- and the thematic heaviness is mirrored by heavier sounds.
Willamette Week  |  Amy McCullough  |  09-26-2007  |  Reviews

Yellow Swans Depart from Realitynew

Yellow Swans has come a long way from the spastic electro-cartoon violence of 2004's Bring the Neon War Home, and At All Ends further cements the band's place at the forefront of Portland's thriving noise underground.
Willamette Week  |  Erik Bader  |  09-26-2007  |  Reviews

Aly & AJ Flex Their Disney Crednew

Insomniatic -- which sounds something like the Veronicas, Lillix or even a pre-Speak Lindsay Lohan -- isn't what anyone besides your 9-year-old niece would call "good music." But it's not quite as offensive as the duo's Olsen-lite image implies.
Philadelphia Weekly  |  Caralyn Green  |  09-25-2007  |  Reviews

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