AltWeeklies Wire

Remembering U2's Breakoutnew

Long since resigned to the coffee tables of khaki families or wedged on shelves next to the Bible and The Da Vinci Code, it's easy to forget the widescreen impact of U2's 1987 world-altering breakout.
Orlando Weekly  |  Billy Manes  |  11-29-2007  |  Reviews

Inauthenticity Antidotenew

Merle Haggard offers a much-needed dose of authenticity to this world full of hot air.
Tucson Weekly  |  Jarret Keene  |  11-28-2007  |  Reviews

Beautifully Twistednew

Dave Wyndorf's rockin' imagination is back and better than ever on this new release.
Tucson Weekly  |  Jarret Keene  |  11-28-2007  |  Reviews

In the Cloudsnew

Youthful exuberance shines through on every song.
Creative Loafing (Atlanta)  |  Clay Duda  |  11-28-2007  |  Reviews

Bulging at the Seamsnew

The two-CD soundtrack to Todd Haynes' stylistic new Bob Dylan pic I'm Not There features 33 covers by no fewer than 25 artists.
Creative Loafing (Atlanta)  |  Debbie Michaud  |  11-28-2007  |  Reviews

It's Business Timenew

British Sea Power gets right down to business on Krankenhaus?.
Creative Loafing (Atlanta)  |  Debbie Michaud  |  11-28-2007  |  Reviews

Paint a Picturenew

Alive 2007, which documents Daft Punk's sell-out tour last summer, illustrates the possibilities and problems of capturing live dance-music sets on CD.
Creative Loafing (Atlanta)  |  Mosi Reeves  |  11-28-2007  |  Reviews

Living Proof Debuts with Positive Hip-hopnew

And at its delirious, beat-mixing, Northwest-pimping best, Living Proof emerges as a tumbling young outfit on the verge of big things.
Willamette Week  |  Stephen Marc Beaudoin  |  11-28-2007  |  Reviews

Black Reign and Ohkang Appreciate Lo-fi Glorynew

The duo specializes in taking stripped-down soul samples, coupling them with 808 drum kicks that wallop like a mule, and lacing it all with lyrics that stick to your cerebrum like they're made of Velcro.
New Times Broward-Palm Beach  |  Jonathan Cunningham  |  11-27-2007  |  Reviews

The Brits Are Alrightnew

With a new four-CD retrospective The Brit Box, Rhino Records captures the agony and ecstasy of the golden age of Modern English rock.
Riverfront Times  |  Annie Zaleski  |  11-26-2007  |  Reviews

Studio Pros' Fingerprints Found All Over 'As I Am'new

Their influence isn't fatal, but the disc feels less distinctive than it should given the talent of the performer pictured on its cover.
Westword  |  Michael Roberts  |  11-26-2007  |  Reviews

Juan Huevos Creates Classic Street-Story Hiphopnew

Juan Huevos -- the outlet of Jon Gregory, a 28-year-old white dude with a killer moustache ­-- raps about falling off bar stools, turning Friendster photos into late-night pornography and wanting to quit bad jobs.
INDY Week  |  Grayson Currin  |  11-26-2007  |  Reviews

Cool (and Smooth) John Fergesonnew

Indeed, one of the great joys of With These Hands is the ease with which Ferguson segues between styles, creating an evolving energy from the lively first half to the second half's gentler, late-night vibe.
INDY Week  |  Chris Parker  |  11-26-2007  |  Reviews

Snatches of Pink Nearly Do-Wellnew

While Snatches of Pink and Clarissa both went to the summit, enjoying a major label tenure and a bid for radio play, they never quite sparked popular imagination, despite several fine, well-regarded albums in the '80s and '90s.
INDY Week  |  Chris Parker  |  11-26-2007  |  Reviews

Celebration and Dragons of Zynth Are Under the Influencenew

TV on the Radio are one of the best bands in the world, but having them all over your record can be a mixed blessing, as these two bands prove.
Chicago Reader  |  Jessica Hopper  |  11-26-2007  |  Reviews

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