AltWeeklies Wire

Jucifer's Use of Extremes is Inherent to its Wholenew

Major stylistic shifts are abound in just about all of this two-piece act's recordings. The music suddenly shifts from the calm and free-flowing melody of shoegaze to the harsh brutality of noise or metal. But it always feels as if this dynamism has a rationale.
East Bay Express  |  Nick Schwab  |  09-02-2009  |  Profiles & Interviews

The Flaming Lips Keep Their Fearless Freak Flag Flyingnew

Put simply, you'd have to be the most loathsome, granite-hearted reptilian cynic this side of Bill O'Reilly -- or quite possibly clinically dead -- not to be moved or uplifted by the Lips in action. Which is all well and good, but Wayne Coyne insists that the evolution of their live shows has been down to a series of happy accidents and a certain degree of "dumb luck."
Baltimore City Paper  |  Neil Ferguson  |  09-01-2009  |  Profiles & Interviews

Dallas Producer Rob Viktum Serves Up A New, Tasty 'Drink'new

Viktum makes beats all the time, but the beats he's created on a new EP for his latest project, well, they're a bit different. Not in style, mind you, but in creation.
Dallas Observer  |  Pete Freedman  |  08-31-2009  |  Profiles & Interviews

Cara Gives New Life to Lost Songsnew

The quintet infuses Irish-inspired music with modern influences to create both traditional and contemporary music.
Tucson Weekly  |  Gene Armstrong  |  08-28-2009  |  Profiles & Interviews

Eric D. Johnson Returns to the Fruit Batsnew

In the four years that have passed since the last Fruit Bats album, singer-songwriter-guitarist Eric D. Johnson has toured and recorded with the Shins and Vetiver, projects that encouraged him to open up to more collaboration in his own band.
Tucson Weekly  |  Eric Swedlund  |  08-28-2009  |  Profiles & Interviews

Matthew Sweet and Susanna Hoffs Chat About the Second Volume in Their Covers Seriesnew

In June, power-pop darlings Matthew Sweet and Susanna Hoffs released Under the Covers, Vol. 2, which focuses on the '70s. The album spans prog, sappy folk, power-pop and rock royalty.
Riverfront Times  |  Annie Zaleski  |  08-28-2009  |  Profiles & Interviews

Legendary Brazilian Psychedelic Group Os Mutantes Return With a New Albumnew

Haih or Amortecedor, the band's first new album in 35 years, is willfully weird, and one wouldn't expect anything less from Os Mutantes. But the youthful, wide-eyed psychedelia of the group's classic work has given way to a wiser -- if not older -- outlook.
The Portland Mercury  |  Ned Lannamann  |  08-28-2009  |  Profiles & Interviews

Diet Kong Fizzes With Fun and Ominous Undertonesnew

Countless bands can trace their beginnings to one or maybe two significant and serendipitously accidental meetings, but Diet Kong, the collaborative effort between the Brooklyn-based, husband-and-wife team of Keith Gladysz and Jenn Penn is highly unusual and touching, even for the most cynical music fan.
New York Press  |  William Ruben Helms  |  08-28-2009  |  Profiles & Interviews

How Brent Knopf Learned to Stop Worrying and Love the Songnew

Under the moniker Ramona Falls, Knopf has created an eclectic collection of avant-pop songs that, on the surface, sound similar to his work with Menomena.
Willamette Week  |  Michael Mannheimer  |  08-26-2009  |  Profiles & Interviews

The Avett Brothers Step Forward With 'I and Love and You'new

Despite seven years on the road, slowing down may be a difficult proposal for the Avett Brothers. And the buzz around their upcoming album, I and Love and You -- slated to hit shelves Tuesday, Sept. 29 -- isn't going to make that any easier.
Boise Weekly  |  Amy Atkins  |  08-26-2009  |  Profiles & Interviews

NYC Trio Naam Puts a Fine Finish on Sludgenew

It's refreshing to hear a prog-rock element in a band that isn't a sit-down proposition, such as Tortoise. "I wanted to make [prog-influenced music] in a much more loud, droning, drug-induced sense," Naam bassist John Bundy says.
Baltimore City Paper  |  Michaelangelo Matos  |  08-25-2009  |  Profiles & Interviews

The Grownup Noise Continues to Grow Upnew

The jazzy, low-key folk quartet doesn't fit into any of Boston's music scenes. But despite its varied approach to songwriting, fans have been converted, one by one. The task now is doing that to the rest of the country.
Weekly Alibi  |  Simon McCormack  |  08-25-2009  |  Profiles & Interviews

After a Lauded Major Label Debut, Hush Hits Rock Bottom and Rises Againnew

Within two years, he'd gone from Detroit hip-hop's other "white meat" to an unemployed, grieving father of three with a family and a mortgage. Hard up for cash, he took a job working the night shift at a factory that was an hour-plus drive away. He'd get home and during the hours before his sons got up for school, he'd make music.
Metro Times  |  Hobey Echlin  |  08-25-2009  |  Profiles & Interviews

Peter Bjorn & John Aren't Afraid to Change Artistic Coursenew

Last year the trio followed their almost fluke of a hit album Writer's Block with an under-the-radar instrumental album, Seaside Rock, followed by this year's Living Things, a darker, more minimalistic take on New Wave revisionism.
Las Vegas CityLife  |  Mike Prevatt  |  08-25-2009  |  Profiles & Interviews

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