AltWeeklies Wire

Indiana Ford ... and the Kingdom of Lucas and Spielbergnew

A proudly analog artifact exhumed and dusted off for our digital age, Indiana Jones and the Kingdom of the Crystal Skull is no less of a search for lost time on the part of its primary creators, Steven Spielberg and George Lucas, but likely for much of the audience too.
L.A. Weekly  |  Scott Foundas  |  05-27-2008  |  Reviews

'Fugitive Pieces' Adaptation Sucks the Poetry Out of a Holocaust Survival Talenew

Canadian filmmaker Jeremy Podeswa has given it the old college try, but in pursuit of tact and sensitivity, he has hollowed out the novel's urgency -- its unflinching confrontation with the horrors of 20th-century history -- in favor of a vaguely spiritual morbidity that slides into mere pathos.
L.A. Weekly  |  Ella Taylor  |  05-02-2008  |  Reviews

Jon Favreau's 'Iron Man' Has a Heartnew

Rather than cutting directly to the chase, it takes its time to involve us in the characters, who are relatively three-dimensional as comic book movies go, and who are played by the kinds of actors who know how to make a lot out of not very much.
L.A. Weekly  |  Scott Foundas  |  05-02-2008  |  Reviews

Al Pacino Plays Beat the Clock in '88 Minutes'new

Jon Avnet's cheesy new thriller is 105 minutes long, and going in, I feared that 100 of them would be eaten up by Al Pacino chewing the furniture. Alas, it's worse than that.
L.A. Weekly  |  Ella Taylor  |  04-18-2008  |  Reviews

Thomas McCarthy Revisits 'The Station'new

Like The Station Agent, The Visitor opens in a state of mourning, with 62-year-old economics professor Walter Vale (Richard Jenkins) staring longingly out the window of his Connecticut home, wine glass in hand, while a solemn piano sonata plays on the soundtrack.
L.A. Weekly  |  Scott Foundas  |  04-11-2008  |  Reviews

George Clooney Tackles Preglory Gridironnew

For the two hours it takes to watch it, Leatherheads is rarely less than very promising -- and also rarely more.
L.A. Weekly  |  Scott Foundas  |  04-04-2008  |  Reviews

'Stop-Loss': History Imitates History Onscreennew

Stop-Loss may be a necessary link in the bridge from Michael Moore to the eventual Iraq II equivalent of Dr. Strangelove, MASH or Three Kings. And for that, I salute it.
L.A. Weekly  |  Scott Foundas  |  03-28-2008  |  Reviews

Incredible Shrinking Womennew

As "English" as tea and toast, this mainstreamed movie has its eye on a global market.
L.A. Weekly  |  Ella Taylor  |  03-11-2008  |  Reviews

Far From Heavennew

Clearly inspired by Todd Haynes, Ira Sachs' film doesn't quite compare.
L.A. Weekly  |  Ella Taylor  |  03-11-2008  |  Reviews

Feminin, Masculinnew

Jacques Rivette fights the battle of the sexes.
L.A. Weekly  |  Ella Taylor  |  02-29-2008  |  Reviews

Kids These Daysnew

Charlie Bartlett is the feature debut of Austin Powers' snappy film editor Jon Poll, so it is but a heartbeat cut till we meet our hero with his head down a toilet at the funky public school to which he has been dispatched by his desperate single mother.
L.A. Weekly  |  Ella Taylor  |  02-25-2008  |  Reviews

Blood Moneynew

The Counterfeiters is morally ambiguous Holocaust tale of survival and collusion.
L.A. Weekly  |  Ella Taylor  |  02-25-2008  |  Reviews

Pointlessnew

All-star cast can't save Rashomon wannabe Vantage Point.
L.A. Weekly  |  Scott Foundas  |  02-25-2008  |  Reviews

'Cloverfield' is a Horrornew

It's taken just over six years for the idea of an escapist disaster movie set on the streets of New York City to go from pop-culture anathema to a hotly anticipated commercial commodity.
L.A. Weekly  |  Scott Foundas  |  01-18-2008  |  Reviews

Adrift in 'Cassandra's Dream'new

Woody Allen's latest casts him in uncertain waters.
L.A. Weekly  |  Scott Foundas  |  01-18-2008  |  Reviews

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