AltWeeklies Wire

'Coco Before Chanel' Needs a Stylistnew

If only Audrey Tatou could have summoned a little more fire to melt the glacial pace of this ambitious biopic.
INDY Week  |  Laura Boyes  |  10-30-2009  |  Reviews

Ellen Page Whips it Good in Her Best Post-'Juno' Rolenew

After seeing Juno, my outraged teen daughter rightly asked, "Where is the girl's version of Ferris Bueller's Day Off?" Whip It steps into that void.
INDY Week  |  Laura Boyes  |  10-01-2009  |  Reviews

Michael Moore's Antics are Finally Justified in 'Capitalism'new

To summarize the sentiment fueling Michael Moore's latest agitprop, one need only quote Tony Montana: "You know what capitalism is? Gettin' fucked!"
INDY Week  |  Neil Morris  |  10-01-2009  |  Reviews

Ang Lee's 'Taking Woodstock' is a Marvelous, Unabashedly Nostalgic Trip Backnew

Lee (born in 1954) is just barely old enough to claim membership in the Woodstock generation, even if he was living in his native Taiwan at the time. Still, the Oscar-winning director nails the groovy vibe as effortlessly as he conjured up 1970s suburbia in The Ice Storm.
INDY Week  |  Laura Boyes  |  08-28-2009  |  Reviews

A Ho-Hum Predictability in 'Adam'new

"I'm not Forrest Gump, you know," deadpans Adam when Beth gifts him a box of chocolates. Unfortunately, Adam is a pedestrian film in which, protagonist's eccentricities aside, you pretty much know what you're going to get.
INDY Week  |  Neil Morris  |  08-28-2009  |  Reviews

After Rough Patches, Tarantino's 'Inglourious Basterds' Hits its Stridenew

Not since R.W. Fassbinder (and Godard) has a filmmaker shown so much clever, creative interest in how the Third Reich attempted to put mass culture in the service of mass slaughter.
INDY Week  |  David Fellerath  |  08-21-2009  |  Reviews

Bland Love in '(500) Days of Summer'new

(500) Days is that it's cloying and dishonest, indulging all of the clichés and false optimism of an average love story while masquerading as something that is questioning those things.
INDY Week  |  Nathan Gelgud  |  08-06-2009  |  Reviews

Soccer Journeys in Rudo y Cursinew

Two brothers confront the pitfalls of sudden celebrity as soccer players: wild spending, drugs, gambling, avaricious women, demanding fans.
INDY Week  |  David Fellerath  |  08-06-2009  |  Reviews

'Public Enemies' is Less a Biopic Than a Glossy, Stylish Elegynew

What keeps Public Enemies from being a masterpiece is a peculiar lack of emotional accessibility to the key characters.
INDY Week  |  Neil Morris  |  07-02-2009  |  Reviews

'Easy Virtue' May Be a Country Manor Movie for People Who Don't Like Themnew

The genre has gone downhill ever since Jean Renoir's The Rules of the Game set the standard in 1939. But it's been a long slope with the gentle upswings and plateaus of such films as Gosford Park and Atonement.
INDY Week  |  David Fellerath  |  06-18-2009  |  Reviews

'The Proposal' Manages to be Both Predictable & Unbelievable At the Same Timenew

This film, mechanically directed by Anne Fletcher (responsible for last year's worst movie, 27 Dresses), is the second Taming of the Shrew retread appearing this month, after My Life in Ruins, which, in comparison now looks tolerable.
INDY Week  |  Laura Boyes  |  06-18-2009  |  Reviews

Mike Tyson Reveals and Rationalizes in New Docnew

The mere existence of yet another documentary about Tyson—the latest titled, appropriately, Tyson—speaks to the public's continuing fascination with this defrocked warrior.
INDY Week  |  Neil Morris  |  06-04-2009  |  Reviews

'Gomorrah' Is Too Preachy for Its Own Goodnew

In his attempt to redefine mob movies, Matteo Garrone eschews many of the qualities that make cinema interesting and tantalizing. He focuses so squarely on his characters' sinful awfulness that he forgets it's often the sinners who lure the moviegoers.
INDY Week  |  Neil Morris  |  03-26-2009  |  Reviews

Three People Vie to Be a Couple in the Freefalling 'Two Lovers'new

From its first frames to its downbeat denouement, this is the most fatalistic film I've ever seen that offers its protagonist two beautiful women to choose between.
INDY Week  |  Nathan Gelgud  |  03-05-2009  |  Reviews

Eastwood Updates Himself in 'Gran Torino'new

As an actor, Clint Eastwood is the most distinctly American film icon since John Wayne.
INDY Week  |  Neil Morris  |  01-08-2009  |  Reviews

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