AltWeeklies Wire

Politics as Usual for Movies in '06?new

Hollywood's focus on real-life problems in 2005 might explain one of the biggest box-office dips in ages. Will filmmakers return to tried-and-true sequels, remakes, and out-and-out fluff?
Boston Phoenix  |  Peter Keough  |  12-30-2005  |  Movies

Avner's Listnew

Munich's purpose is not to illuminate but to manipulate, to reduce the irresolvable issues surrounding a horrible truth into a comforting platitude.
Boston Phoenix  |  Peter Keough  |  12-23-2005  |  Reviews

The Quare Fellownew

The finished product might be overdone and in bad taste, but like the best of director Neil Jordan’s work, it does satisfy.
Boston Phoenix  |  Peter Keough  |  12-23-2005  |  Reviews

Rake's Progressnew

Casanova has cleaned up his act in Lasse Hallstrom’s engaging romantic-comedy version of his life; he's tamed down the debauchery to a tepid but bawdy "R" and learned to respect women and family values.
Boston Phoenix  |  Peter Keough  |  12-23-2005  |  Reviews

Walking the Indie Linenew

Star Wars and Batman and Harry Potter and Narnia and King Kong may have made the big bucks in 2005, but for the most part it was indie and low-budget films that made the biggest impression.
Boston Phoenix  |  Peter Keough  |  12-22-2005  |  Reviews

'Pokes Peeknew

Figuring, no doubt correctly, that more people will identify with loss than with gay lust, Lee gets the icky parts over quickly. Not only is it the love that dare not speak its name, it doesn’t speak at all.
Boston Phoenix  |  Peter Keough  |  12-16-2005  |  Reviews

Gorilla Filmmakingnew

Peter Jackson’s King Kong sports a pot belly, and it’s not a good look. His film carries extra baggage, too, nearly an hour and half’s worth.
Boston Phoenix  |  Peter Keough  |  12-16-2005  |  Reviews

Into Africanew

Scientists say the origins of humanity can be found in Africa. Two new documentaries suggest its destiny may lie there too.
Boston Phoenix  |  Peter Keough  |  12-05-2005  |  Reviews

Fine Linenew

The tortured and demonic part of Johnny Cash that stoked his genius often gets lost in the platitudes, the rough edges airbrushed by sentimentality. But not in James Mangold’s movie bio of the Man in Black.
Boston Phoenix  |  Peter Keough  |  11-18-2005  |  Reviews

Austen’s Powernew

To judge from Joe Wright’s adaptation of Pride and Prejudice, Jane Austen may have invented the tracking shot.
Boston Phoenix  |  Peter Keough  |  11-11-2005  |  Reviews

Rupture of the Deepnew

Noah Baumbach's The Squid and the Whale has that whiff of authenticity. Peter Keough reviews the film and interviews the director.
Boston Phoenix  |  Peter Keough  |  11-07-2005  |  Reviews

Apocalypse Whatevernew

Jarhead, the Waiting for Godot of war movies, gets lost in the desert.
Boston Phoenix  |  Peter Keough  |  11-07-2005  |  Reviews

The Good Soldiernew

Novelist Anthony Swofford says he won't play politics with Jarhead.
Boston Phoenix  |  Peter Keough  |  11-07-2005  |  Profiles & Interviews

Eloquent Crusadernew

George Clooney's Good Night, and Good Luck is caustic and captivating.
Boston Phoenix  |  Peter Keough  |  10-11-2005  |  Reviews

In Cold Bloodnew

David Cronenberg defines the history of violence, though with such cold-blooded efficiency and cryptic detachment, his film may evoke more admiration than pleasure.
Boston Phoenix  |  Peter Keough  |  09-22-2005  |  Reviews

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