AltWeeklies Wire

Naked Lunchnew

In an interview, director John Waters outlines a powerful case for the end of repression and the restoration of genuine fun, laughter and bad taste.
Boston Phoenix  |  Peter Keough  |  09-24-2004  |  Profiles & Interviews

Waters Sportsnew

It’s a dirty shame that John Waters hasn’t made a truly offensive movie in more than 20 years. One can only hope that the NC-17 rated A Dirty Shame will change that.
Boston Phoenix  |  Peter Keough  |  09-24-2004  |  Reviews

Computer Bluenew

Kerry Conran and his blue screen clone the classics.
Missoula Independent  |  Nicole Panter  |  09-23-2004  |  Reviews

Doors of Perceptionnew

This Korean film about a monk and his young disciple has a beguiling simplicity and a meditative visual style that prove fascinating.
Missoula Independent  |  Susanna Sonnenberg  |  09-23-2004  |  Reviews

Tennis Trystnew

If you don't take Wimbledon too seriously, you'll enjoy it, thanks to Kirsten Dunst and Paul Bettany.
Tucson Weekly  |  Bob Grimm  |  09-23-2004  |  Reviews

A Less-Dirty Shamenew

While it received the dreaded NC-17 rating, John Waters' latest is minor compared to his previous films.
Tucson Weekly  |  James DiGiovanna  |  09-23-2004  |  Reviews

TV Fall-a-palooza!

A fair and balanced hit-and-rundown of every new network TV show this season.
Salt Lake City Weekly  |  Bill Frost  |  09-23-2004  |  TV

Film's Resemblance to Video Game is Uncannynew

Nicotina is a heist film so bland and uninspired, the filmmakers give up almost immediately on the details of its conventional deal-gone-haywire plot, focusing instead on tangential storylines and characters.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-23-2004  |  Reviews

Director Needs to Grow Up Alreadynew

Some milestone has surely been marked when the latest John Waters film doesn't shock so much as make you wish the director would grow up already. At 58, Waters is still fixated on the kind of bathroom humor and sexual material that seems puerile.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-23-2004  |  Reviews

Film Creates Atmosphere of Gnawing, Unrelenting Tensionnew

With the possible exception of Spike Lee's 25th Hour, no recent film has distilled the post-Sept. 11 sense of anxiety and dread better than iconoclastic Austrian director Michael Haneke's The Time of the Wolf, a gripping, brilliantly conceived post-apocalyptic drama.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-23-2004  |  Reviews

Fry's Film Shines With Social Satirenew

His experiences prepped Fry for writing and directing the satiric social X-ray of London's glitterati in the 1930s. He takes some liberties with Evelyn Waugh's second novel, but he lives up to the book's precise comic timing and scalding satire.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-23-2004  |  Reviews

English Comedy-Thriller Reanimates Zombie Genrenew

While drawn-out sieges prove a mainstay of the zombie genre, this film builds to moments of anguished intensity that play against the deadpan comedy that came before. Wright and his actors handle the heavy dramatics better than you'd expect.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-23-2004  |  Reviews

Mad Cownew

Numerous auteur directors have been inspired by David Lynch. Takashi Miike is one of the few who not only get Lynch's sense of surrealism but also seem to understand his sense of humor.
SF Weekly  |  Luke Y. Thompson  |  09-22-2004  |  Reviews

Shallow Popnew

Mr. 3000 isn't really about the athletes. It's more about the fans and even the beat writers who adore them and reward them and forgive them, no matter their arrogance or insolence.
Westword  |  Robert Wilonsky  |  09-22-2004  |  Reviews

Shell Shocknew

Innocence isn't a movie for animé neophytes. Embodying the best and worst stereotypes of the genre, it's amazingly beautiful to look at and often utterly incomprehensible.
Westword  |  Luke Y. Thompson  |  09-22-2004  |  Reviews

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