AltWeeklies Wire

Type-A Personality

Directed with maximum cliche, this is an old-school, over-the-top thriller updated for the 21st century.
Washington City Paper  |  Tricia Olszewski  |  02-10-2006  |  Reviews

Charm Shitty

In an undistinguished reality-TV style, Ewing and Grady never rise above condescension.
Washington City Paper  |  Tricia Olszewski  |  02-10-2006  |  Reviews

Movie Musicnew

The Oscar-nominated composer Gustavo Santaolalla discusses fleeing Argentina and seeing Brokeback as more than a gay cowboy movie.
Los Angeles CityBeat  |  Donnell Alexander  |  02-10-2006  |  Profiles & Interviews

Grammar Wreck

The basic language of filmmaking eludes the director of Freedomland.
Salt Lake City Weekly  |  Scott Renshaw  |  02-10-2006  |  Reviews

After Paulinenew

Where are the women film critics?
Boston Phoenix  |  Gerald Peary  |  02-10-2006  |  Movies

The Original Kings of Cinemanew

Looking at early African-American filmmakers through today's eyes.
Baltimore City Paper  |  Violet Glaze  |  02-10-2006  |  Movies

There Goes the Bridenew

The director seems determined to make nothing more than a low-budget version of a Hugh Grant-Hollywood rom-com.
Creative Loafing (Atlanta)  |  Curt Holman  |  02-09-2006  |  Reviews

System Crashnew

The director can't change the film from an essentially dumb action flick that culminates with standard-issue fight scenes and a requisite car crash followed by a spectacular explosion.
Creative Loafing (Atlanta)  |  Curt Holman  |  02-09-2006  |  Reviews

Without a Cluenew

This film believes a joke told once is even better told again.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  02-09-2006  |  Reviews

Dancing Foolsnew

Even non-dance fans may be surprised at their ability to be carried along by the intoxicating ether of artistry in this film.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  02-09-2006  |  Reviews

Most Unnecessary Remake?new

This familiar Stranger exhibits not a smidgen of awareness that its premise has been ripped off 500 times and parodied in three Scream movies.
Orlando Weekly  |  Steve Schneider  |  02-09-2006  |  Reviews

The Pink Panthernew

Steve Martin's dreaded riff on Peter Sellers' Inspector Clouseau comes off like a Saturday Night Live skit from the late 1970s, when audiences showed up nicely toasted and a guest host could coast on the same wild and crazy schtick week after week.
Orlando Weekly  |  Steve Schneider  |  02-09-2006  |  Reviews

A Commercial Contrivancenew

Don't expect the same kind of conservative backlash that has accompanied that other gay film currently in theaters -- this film offers nothing that will shake up our social mores.
Orlando Weekly  |  John Thomason  |  02-09-2006  |  Reviews

Shanghai Anxietynew

The final collaboration between Ismail Merchant and James Ivory isn't their absolute best effort, but as swan songs go, it's still a sight more auspicious than the last-ever Simpson-Bruckheimer picture.
Orlando Weekly  |  Steve Schneider  |  02-09-2006  |  Reviews

Cheap Thrills, Cheap Throwsnew

David Redmon's remarkable film, which won the Grand Jury Prize for documentaries at the 2005 Florida Film Festival, takes a look at the dark side of Mardi Gras.
Orlando Weekly  |  Lindy T. Sheperd  |  02-09-2006  |  Profiles & Interviews

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