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Foreign Accentsnew

Quinceanera gets it right by not trying to do too much.
Eugene Weekly  |  Jason Blair  |  09-07-2006  |  Reviews

Monumentally Badnew

Nicolas Cage running around in a bear suit -- welcome to one of the year's worst movies.
Tucson Weekly  |  Bob Grimm  |  09-07-2006  |  Reviews

Awkward Momentsnew

Although it has a weak plot and falls short of being an art film, The Puffy Chair will stick in your mind.
Tucson Weekly  |  James DiGiovanna  |  09-07-2006  |  Reviews

Man and Supermannew

What makes Hollywoodland work is that it's actually driven by its characters, at least one of which is fictional.
Sacramento News & Review  |  Jonathan Kiefer  |  09-07-2006  |  Reviews

Bad Educationnew

Unless The Wire turns into a ratings bonanza, the fourth season's 12 episodes will be the last.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-07-2006  |  TV

Whimpers & Whinesnew

The doc that attacks the MPAA relies on new tricks of the trade.
New York Press  |  Armond White  |  09-07-2006  |  Reviews

How Do You Like Me Now?new

The new Toby Keith starring vehicle is not one for the bus.
Nashville Scene  |  Jim Ridley  |  09-07-2006  |  Reviews

Detective Comicsnew

This showbiz noir investigates the TV Superman's real-life tragedy.
The Village Voice  |  J. Hoberman  |  09-06-2006  |  Reviews

Shakespeare in the Citynew

HBO's The Wire would've played well with the groundlings at The Globe.
Seattle Weekly  |  Roger Downey  |  09-06-2006  |  TV

Hushnew

This blue-light special is no big deal.
Eugene Weekly  |  Molly Templeton  |  09-01-2006  |  Reviews

Fly Like an Eaglenew

Here are some lessons in courage from the producer of The Rookie.
Eugene Weekly  |  Jason Blair  |  09-01-2006  |  Reviews

A Worthy Whodunit

Ben Affleck takes a significant stride toward correcting his frat-boy-actor image in an engrossing portrayal of George Reeves.
Maui Time  |  Cole Smithey  |  09-01-2006  |  Reviews

Manhattan Is for Loversnew

With distinct echoes of Woody Allen, Trust the Man follows fashionably neurotic New Yorkers in oversized apartments as they search for happiness, love, and sex.
Austin Chronicle  |  Toddy Burton  |  09-01-2006  |  Reviews

Tone Deafnew

Perhaps future generations of film scholars will embrace the film as a B-movie that problematizes the oppressive gaze, but for now, it's a misfire.
Austin Chronicle  |  Marrit Ingman  |  09-01-2006  |  Reviews

Screen Savernew

Is reserving theater slots for Canadian films the way to save struggling filmmakers?
NOW Magazine  |  Vanessa Milne  |  09-01-2006  |  Movies

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