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Condition Terminalnew

This two-person character study features lovely performances that are models of restraint in what otherwise might have been a soppy melodrama.
Austin Chronicle  |  Marc Savlov  |  10-26-2007  |  Reviews

Happiness is a Warm Gunnew

The Beatles and Jesse James fight to draw.
Creative Loafing (Charlotte)  |  Matt Brunson  |  10-26-2007  |  Reviews

Kevin Bacon Gets the Third Degreenew

The formerly Footloose actor brings home the you-know-what in dramatic fashion.
NOW Magazine  |  Barrett Hooper  |  10-26-2007  |  Profiles & Interviews

'Rails & Ties' is Too Predictable

Alison Eastwood makes a tentative directorial debut with a made-for-TV-quality script by tin-eared Mickey Levy.
Maui Time  |  Cole Smithey  |  10-26-2007  |  Reviews

'Gone Baby Gone' Feels Like Two Narratives Pasted Together

For his directing debut Ben Affleck adapts a Dennis Lehane novel that resists being converted into the usual three-act structure like a circle being jammed into a square.
Maui Time  |  Cole Smithey  |  10-26-2007  |  Reviews

'Wristcutters: A Love Story' is Wretched

This film takes such an arch tone by tacitly endorsing suicide that it spends most of its time in narrative freefall.
Maui Time  |  Cole Smithey  |  10-26-2007  |  Reviews

The Future of Joe Strummer on Film

Julien Temple, the director of the notable Sex Pistols documentary Filth and the Fury, proves he's the right man to make a documentary about the Clash's late frontman.
Maui Time  |  Cole Smithey  |  10-26-2007  |  Reviews

'Lars and the Real Girl' is Surprisingly Touching

Screenwriter Nancy Oliver has crafted a romantic story about a lonely introvert who discovers an ad hoc method of self-therapy in the guise of an anatomically correct silicone love doll.
Maui Time  |  Cole Smithey  |  10-26-2007  |  Reviews

Sidney Lumet's Long Journeynew

The venerable director returns with a devilish thriller.
L.A. Weekly  |  Scott Foundas  |  10-26-2007  |  Profiles & Interviews

'Martian Child' is a New Magical Realist Film

It focuses on the primal fear of abandonment of a young orphaned boy named Dennis (Bobby Coleman) who professes to be from Mars.
Maui Time  |  Cole Smithey  |  10-26-2007  |  Reviews

Playing Down on Her Luck, Amy Ryan's Star Risesnew

"I hope people ask me, 'Where did you find that local actress?,'" Ben Affleck told Amy Ryan when he cast her as a wreck of a single mother in his directing debut, Gone Baby Gone.
L.A. Weekly  |  Ella Taylor  |  10-26-2007  |  Profiles & Interviews

'Paranoid Park': Nothing Happens

Paranoid Park may be the best of the Van Sant's last four films, but that isn't saying much.
Maui Time  |  Cole Smithey  |  10-26-2007  |  Reviews

'American Gangster' Doesn't Rise to the Level of 'Scarface'

Denzel Washington and Russell Crowe deliver inspired performances as rivals from opposite sides of the law in director Ridley Scott's true-crime epic.
Maui Time  |  Cole Smithey  |  10-26-2007  |  Reviews

'The District' is Comically Grotesquenew

Nothing and everything in the film works, but there are bursts of impressive creative energy that juice up the movie every time it starts to slacken, and you have to give it credit for being, as far as I know, the world's first Hungarian animated quasi-political sexually explicit rap musical.
Montreal Mirror  |  Mark Slutsky  |  10-26-2007  |  Reviews

Cristian Mungiu Goes Beyond Abortionnew

"When I sat down to write it, I wasn't setting out to make a film about abortion," the director says of his gritty, Palme d'Or-winning drama.
Montreal Mirror  |  Matthew Hays  |  10-26-2007  |  Profiles & Interviews

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