AltWeeklies Wire

Uwe Boll Bores Againnew

In the Name of the King is long on visually confused, thrill-free action and short on everything else that makes a movie pleasurable. Except CGI-enhanced scenery.
NOW Magazine  |  Andrew Dowler  |  01-11-2008  |  Reviews

Jack Nicholson's Hospital Staynew

A few weeks before Nicholson was supposed to play a dying man who makes a friend in a hospital ward, he became ill and ended up spending eight weeks in a hospital.
The Georgia Straight  |  Ian Caddell  |  01-11-2008  |  Profiles & Interviews

Wedding Crapper: Rom Com Coffin Gets Another Nail

Agonizing, flaccid, and about as romantic as bottle of flat champagne “27 Dresses” is a perfect example of the stereotypical Hollywood romantic comedies that Judd Apatow’s “40 Year Old Virgin” and “Knocked Up” successfully disemboweled.
Maui Time  |  Cole Smithey  |  01-11-2008  |  Reviews

The New Bill Cosby: Ice Cubenew

He may tote a gun as First Sunday's desperate daddy, but Ice Cube saves his gangsta style for the hip-hop side of his career, not his kid-friendly flicks.
The Georgia Straight  |  Ian Caddell  |  01-11-2008  |  Profiles & Interviews

Creator Marjane Satrapi on the Adapted 'Persepolis'new

"I always thought that was the worst idea in the world," Satrapi says with a grin. "To make comics and then to make a movie out of them I still think is not a very good idea."
The Georgia Straight  |  Mark Leiren-Young  |  01-11-2008  |  Profiles & Interviews

Hollywood Product: 'The Bucket List'new

The bottom line: Director Rob Reiner significantly improves from disasters such as Rumor Has It for this predictable yet good-natured comedy that makes dialogue like "Find the joy in your life" go down surprisingly easy.
Creative Loafing (Atlanta)  |  Curt Holman  |  01-10-2008  |  Reviews

'The Orphanage': Spirited Awaynew

Spanish director's Casper is no friendly ghost.
Creative Loafing (Atlanta)  |  Curt Holman  |  01-10-2008  |  Reviews

The Atlanta Jewish Film Festival's Identity Heftnew

Festival provides themes of belonging.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  01-10-2008  |  Movies

'There Will Be Blood': American Nightmarenew

Paul Thomas Anderson sees blind ambition in his latest epic.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  01-10-2008  |  Reviews

A Haunted Orphanage? No way!new

Screenwriter Sergio G. Sánchez and director Juan Antonio Bayona are content to dig up and exploit every worn-out horror cliché they can think of -- which'd be a problem if The Orphanage wasn't so goddamn scary.
The Portland Mercury  |  Erik Henriksen  |  01-10-2008  |  Reviews

The Films of Paul Thomas Andersonnew

Screening all of Anderson's feature-length films in order was something I'd never done, but in anticipation of his latest, There Will Be Blood, I started with Hard Eight, then hit Boogie Nights, Magnolia, and Punch-Drunk Love.
The Portland Mercury  |  Ezra Ace Caraeff  |  01-10-2008  |  Movies

Retroactive Revelationnew

It's possible that the greatest horror filmmaker in movie history never cried "Action" on a set. That's because Val Lewton, whose name recalls RKO Pictures' creepiest outings of the 1940s, always served as producer and screenwriter, not director.
New York Press  |  Eric Kohn  |  01-10-2008  |  TV

The Birth Monologuesnew

Producer Ricki Lake on the birth culture of the U.S.
New York Press  |  Jennifer Merin  |  01-10-2008  |  Profiles & Interviews

The Need for New Scare Tacticsnew

Yet another boring J-horror translation proves we don't do horror right.
New York Press  |  Eric Kohn  |  01-10-2008  |  Reviews

Korean Fusionnew

Though specific to his country's cultural situation, Korean director Hong Sang-soo's Woman on the Beach offers flavors of quarterlife angst and romantic insecurity for which American audiences clearly have an insatiable appetite.
New York Press  |  Benjamin Sutton  |  01-10-2008  |  Reviews

Narrow Search

Category

Narrow by Date

  • Last 7 Days
  • Last 30 Days
  • Select a Date Range