AltWeeklies Wire
The Real Kingdom of the Crystal Skullnew
Forget Hollywood -- the true story of the fabled relic, and its owners, is weirder than fiction.
Illinois Times |
C.D. Stelzer |
06-13-2008 |
Movies
Two Docs Examine the Love and Politics of Christopher Isherwood and Derek Jarmannew
Chris & Don: A Love Story and Derek are elegies to gay cultural figures, novelist Isherwood and filmmaker Derek Jarman, but they also uniquely chronicle lives of affection and rebellion -- personalities that are rarely found in the gay films that break into today's mainstream.
New York Press |
Armond White |
06-12-2008 |
Reviews
Guy Maddin Explores His Hometown and Childhood in New Docufantasianew
When someone grows up on tales of stampeding racehorses being frozen in a river, leaving just their rearing heads above the ice, how can they not be a little off-kilter in their sensibilities?
New York Press |
Mark Peikert |
06-12-2008 |
Reviews
With Ed Norton, Marvelites Get the Movie Monster They Deservenew
This Bruce Banner has the same soft-voiced, nerdy naturalism Ed Norton brought to Fight Club. The idea is to upgrade The Hulk from comic book teen dream to boomer alter ego.
New York Press |
Armond White |
06-12-2008 |
Reviews
Feel Ed Norton's Dark Side -- Againnew
Affable dork with dark side becomes rager to be reckoned with. Who but Edward Norton?
Sacramento News & Review |
Jonathan Kiefer |
06-12-2008 |
Reviews
'Kung Fu Panda' Tests Martial Arts Selling Powernew
Jack Black + an animated panda + martial arts = box-office gold!
Tucson Weekly |
Bob Grimm |
06-11-2008 |
Reviews
Adam Sandler's Latest Has Good Intentionsnew
In terms of laughs per minute, You Don't Mess With the Zohan is notably funnier than most films about the Israeli/Palestinian conflict.
Tucson Weekly |
James DiGiovanna |
06-11-2008 |
Reviews
The Mediocrity of the 'Sex and the City' Movienew
Sex and the City doesn't work as well on the big screen, but diehard fans will be pleased.
Tucson Weekly |
Bob Grimm |
06-11-2008 |
Reviews
Filmmaker Errol Morris' Pretty, Pretty Torturenew
Morris should be ashamed of his lazy, offensive documentary about Abu Ghraib.
Tucson Weekly |
James DiGiovanna |
06-11-2008 |
Reviews
Grocery-store Politics Create a Successful Satire in 'The Promotion'new
The Promotion not only satirizes the American dream's moral price tag, it suggests that grocery stores, as possible places of employment, offer the worst of both worlds.
Creative Loafing (Atlanta) |
Curt Holman |
06-11-2008 |
Reviews
Christopher Bell Examines a Nation on Steroidsnew
Bell holds a personal stake in its justifications, though, which sets up Bigger, Stronger, Faster as both a balanced (if sometimes overstuffed) two-hour take on the country where size matters, big time.
Creative Loafing (Atlanta) |
David Lee Simmons |
06-11-2008 |
Reviews
Seann William Scott Goes for Substance in 'The Promotion'new
This is a guy who has made his living playing obnoxious blowhards like Stifler in the American Pie films, dudes like the dudes in Dude, Where’s My Car, and, well, Bo Duke in the recent Dukes of Hazard remake, plus another dozen or so other big, broad, and often dumb, comedies.
San Diego CityBeat |
Anders Wright |
06-11-2008 |
Profiles & Interviews
M. Night Shyamalan's Latest Twist?new
Once a wunderkind of suspense manipulation -- infamous for his third-act twists but watched for every adroit set piece that came before -- M. Night Shyamalan has recoiled from the disaster of Lady in the Water by making his first lazy movie, a picture that grinds from one obligatory shock to another.
Willamette Week |
Aaron Mesh |
06-11-2008 |
Reviews
Writer Steven Conrad on 'The Promotion'new
Conrad discusses his latest vision (and this week's release), which stars John C. Reilly, Seann William Scott, and everyone's favorite Office sweetheart, Jenna Fischer — in addition to sweet-ass casting, twisted humor, and coming to terms with adulthood.
San Antonio Current |
Brian Villalobos |
06-11-2008 |
Profiles & Interviews
In Defense of M. Night Shyamalannew
Like an otherwise artsy band who garners commercial success on the strength of one atypically radio-friendly song, with The Sixth Sense Shyamalan established a base of moviegoers who have since strained to find the same sort of big-box-office spookiness and twists instead of recognizing what each subsequent film has actually had to offer.
San Antonio Current |
Cynthia Hawkins |
06-11-2008 |
Reviews
