AltWeeklies Wire

A Triumph of Soul Over Stylenew

A jazz tribute to Pavement sounds like a bad idea, but it would be a shame to dismiss Gold Sounds on the basis of its gimmick.
Illinois Times  |  Rene Spencer Saller  |  10-21-2005  |  Reviews

The Indeliblesnew

Movies to see at the Austin Film Festival include a flick about a mission to Montreal and another about a girl's criminal upbringing.
Austin Chronicle  |  Marjorie Baumgarten, Nora Ankrum, Wells Dunbar, Marc Savlov, James Renovitch, Spencer Parsons, Josh Rosenblatt, Joe O'Connell, Mark Fagan and Shawn Badgley  |  10-20-2005  |  Movies

Hammett Meets Hughesnew

Writer-director Rian Johnson discusses high school noir and the Austin Film Festival highlight Brick.
Austin Chronicle  |  Marc Savlov  |  10-20-2005  |  Profiles & Interviews

To Cite Edward R. Murrow, 'See It Now'new

Director and co-screenwriter George Clooney strikes just the right tone of gripping entertainment and understated cautionary tale in this thoughtful portrait of newsman Edward R. Murrow's confrontation with Sen. Joseph McCarthy.
Austin Chronicle  |  Marjorie Baumgarten  |  10-20-2005  |  Reviews

Forecast Cloudynew

This hazy remake pales in comparison to John Carpenter's original fogbanks from 1980.
Austin Chronicle  |  Marc Savlov  |  10-20-2005  |  Reviews

Seabiscuit Juniornew

This horsey heartwarmer does something surprising in spite of its underdog sports-movie formula and shameless emotional manipulation: It manages to be an enjoyable movie about and for girls.
Austin Chronicle  |  Marrit Ingman  |  10-20-2005  |  Reviews

Game Overnew

Doom is not so much a film as a marketing tie-in, albeit one with some exceptional production values.
Austin Chronicle  |  Marc Savlov  |  10-20-2005  |  Reviews

Miner's Daughternew

Charlize Theron stars in this fictionalized, rousing, but nevertheless predictable account of the first class-action sexual discrimination suit.
Austin Chronicle  |  Marjorie Baumgarten  |  10-20-2005  |  Reviews

Life, Death, and Everything in Betweennew

With a script by David Benioff (25th Hour) and direction by Marc Forster of Monster's Ball fame, Stay is an ambitious experiment that never quite jells.
Austin Chronicle  |  Marc Savlov  |  10-20-2005  |  Reviews

Captive Audiencenew

This Venezuelan film about the kidnappings that are endemic in Caracas bursts with stylish technique and gruesome tension.
Austin Chronicle  |  Marjorie Baumgarten  |  10-20-2005  |  Reviews

Layered Cakewalknew

Michael Ramos of Charanga Cakewalk throws everything--grand piano, electric piano, pump organ, synthesizers, trumpet, accordion, vocals and more--into his musical recipe.
Tucson Weekly  |  Gene Armstrong  |  10-20-2005  |  Profiles & Interviews

Soul Ridenew

The Hold Steady's music is about trying to find the middle between two extremes. And mixing the extremes ain't easy.
Tucson Weekly  |  Annie Holub  |  10-20-2005  |  Profiles & Interviews

Tender Buttons

As a band known for spending too much time in the studio, Broadcast was always just a few tweaks away from delivering a completely bland recording. The group's latest, Tender Buttons, finally fulfills that lack of promise.
Washington City Paper  |  Mike Kanin  |  10-20-2005  |  Reviews

The Magic Numbers

Whether you like hype-bedecked London popsters Magic Numbers may depend on whether you liked Ken Jennings, The Jeopardy! champ.
Washington City Paper  |  Pamela Murray Winters  |  10-20-2005  |  Reviews

Improper Conductnew

North Country is a powerful film about sexual harassment. Charlize Theron is Oscar-worthy in her role.
Tucson Weekly  |  Bob Grimm  |  10-20-2005  |  Reviews

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