AltWeeklies Wire

Occupy DC Builds a "People’s Pentagon"new

The structure was one infraction too many for the Park Police, who were arresting people and surrounding the square with vehicles all day on Sunday.
Washington City Paper  |  Lydia DePillis  |  12-05-2011  |  #OCCUPY

New Orleans Police Department hands out (a very polite) eviction flier to Occupy protestorsnew

NOPD officers have walked through the park, distributing a "courtesy notice" reiterating the city's position and adding "In the coming days, we will move forward in a fashion that respects your 1st Amendment rights within the bounds of the law that protect the common good."
Gambit  |  Kevin Allman  |  12-04-2011  |  #OCCUPY

Werner Herzog's Riveting Death Row Docnew

Herzog's fervent fans surely rushed out to see Into the Abyss over the weekend, but for those who need coaxing, let me urge you to do the same in the limited time left for this title.
INDY Week  |  David Fellerath  |  12-03-2011  |  Reviews

Pedro Almodovar's bizarre but bloodless The Skin I Live Innew

The Skin I Live In is a hyper-realized illustration of Almodovar's fondness for audience manipulation.
INDY Week  |  Neil Morris  |  12-03-2011  |  Reviews

Laurelyn Dossett’s Gathering

From the Green Room in the basement of Meymandi Concert Hall in Raleigh, a cascade of banjo notes can be heard trailing down the hallway from the dressing room shared by Joe Newberry and Mike Compton. Soon, the virtuosic voice of Rhiannon Giddens Laffan — classically trained but steeped in traditional music practices — fills the air with operatic scales.
YES! Weekly  |  Jordan Green  |  12-03-2011  |  Music

My Week with Marilyn's intellectual slovenlinessnew

Director Simon Curtis' film is not effective or well-made enough to make any lasting impressions, but that doesn't mean its sentiments are any less inartistic or offensive.
INDY Week  |  Nathan Gelgud  |  12-03-2011  |  Reviews

Michelle Williams leaves everyone else in her dust as Marilyn Monroenew

Michelle Williams deserves her vehicle; she's earned the right to put herself in the sweaty hands of cigar-chomping moguls with the power to bully esteemed actors and directors into hopping aboard the Oscar Express, wobbly wheels though it may be resting on.
San Antonio Current  |  Justin Strout  |  12-03-2011  |  Reviews

The holiday bait and switchnew

No, my annual grumbling set in around the same time it usually does: just after Thanksgiving, when the moneyed interests unleash a full blitzkrieg on our weaker impulses with the goal of stripping us of more money that we want to spend. The trigger was a piece on the television news, a spot report issued the day before Thanksgiving from the front lines of the battle on our bank accounts.
YES! Weekly  |  Brian Clarey  |  12-03-2011  |  Commentary

Unhappy Members of Occupy Philly Form Splinter Groupnew

As of tomorrow, there will be two groups occupying Philadelphia—just not together. The new group, calling themselves Reasonable Solutions/OWS Philadelphia, launches today. Occupy Philly calls RS's new daytime occupation of Paine Plaza a "back-door deal made by a few power-hungry people … not affiliated with our movement."
Philadelphia Weekly  |  Tara Murtha  |  12-03-2011  |  #OCCUPY

Once Biting, Twice Shotnew

With a dog-meets-deputy incident, one homeless man delivers a cautionary tale.
Colorado Springs Independent  |  Chet Hardin  |  12-02-2011  |  Crime & Justice

Pillow Talk: Faux Furnew

There's no shortage of country/Americana acts coming out of Saytown, with a few trying to appropriate the indie label to cut away from the pack.
San Antonio Current  |  Adam Villela Coronado  |  12-02-2011  |  Reviews

Alien Synths and Primary Colorsnew

Synth music may flop in Southern California, but it thrives in Oakland.
East Bay Express  |  George Chen  |  12-02-2011  |  Music

Scorsese's first children's adventure comes from his own inner childnew

Trains and the cinema go together like horses and cave paintings. As soon as humans were able to show motion, we chose to show trains. And from our first interaction with locomotives on celluloid — the Lumiére Brothers' Arrival of a Train at La Ciotat in 1895, which, perhaps apocryphally, made audiences jump out of their seats in fear — until this moment, with Martin Scorsese's 3-D fantasy Hugo, there have been dreamers and keepers of the dream.
San Antonio Current  |  Justin Strout  |  12-02-2011  |  Reviews

A Very Latin Christmasnew

Those who know me know that I'm no Christmas person. So when Henry Brun gave me his own Christmas album to review, I smiled politely and thought to myself, "Crap."
San Antonio Current  |  Enrique Lopetegui  |  12-02-2011  |  Reviews

Supervielle: Rêverienew

Luciano Supervielle's second solo album, Rêverie, brilliantly sequences live and studio recordings to spin a concert that is almost symphonic in scope, but the French-Uruguayan composer (and keyboardist for Bajofondo) draws his tonal pictures from a small group of instrumentalists who speak jazz, tango, and rock fluently with the sweet accents of the Río de la Plata.
San Antonio Current  |  Scott Andrews  |  12-02-2011  |  Reviews

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