AltWeeklies Wire

Genre-Bending Film Surprises at Every Turnnew

Nifty, surprising and outrageously overplotted, The Dying Gaul changes its genre stripes so frequently, viewers may feel they've left a film fundamentally different than the one they entered.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  11-17-2005  |  Reviews

The Old Blacknew

Years from now, cinema-studies teachers will refer to Walk the Line as a textbook example of what a biopic looks like when it gets everything right.
Orlando Weekly  |  Steve Schneider  |  11-17-2005  |  Reviews

Harry Potter Turns the Corner With Thrilling Filmnew

As a turning point in the series, the Goblet of Fire film needs to -- and does -- feel "bigger" than the previous installments. Author J.K. Rowling gives her now-14-year-old protagonists more grown-up concerns.
Creative Loafing (Atlanta)  |  Curt Holman  |  11-17-2005  |  Reviews

Film Offers Little Insight Into Johnny Cashnew

As much as the film traces Johnny Cash's personal decline, the script uncovers few complexities in his character and loses sight of him as a potent artist.
Creative Loafing (Atlanta)  |  Curt Holman  |  11-17-2005  |  Reviews

Dial M for Menswearnew

Mere minutes into its opening credits, the heated black comedy El Crimen Perfecto has its title reshuffled into El Crimen Ferpecto. And that Spanish spoonerism says everything about the film.
Orlando Weekly  |  Steve Schneider  |  11-17-2005  |  Reviews

Gleeful Weaponnew

At a stage when most successful screenwriters have settled into a grateful pursuit of the lowest common denominator, it's a kick to see a scribe like Shane Black.
Orlando Weekly  |  Steve Schneider  |  11-17-2005  |  Reviews

Fizzling Wizardrynew

The Harry Potter series takes a step backwards with Goblet of Fire.
Tucson Weekly  |  Bob Grimm  |  11-17-2005  |  Reviews

Threesome Gone Badnew

Atom Egoyan's erotic thriller leaves a few too many loose ends.
Tucson Weekly  |  James DiGiovanna  |  11-17-2005  |  Reviews

The Usual Subtextsnew

The Johnny Cash biopic misinterprets the Man In Black as just another troubled artist in search of redemption.
Baltimore City Paper  |  Geoffrey Himes  |  11-16-2005  |  Reviews

Hogwarts and Hormonesnew

The dancing lessons are as scary as the dragons for our pubescent wizards.
Seattle Weekly  |  Brian Miller  |  11-16-2005  |  Reviews

Spell It Outnew

The film reduces Myla Goldberg's novel to a series of shallow metaphors, and it overplays every single one of them.
East Bay Express  |  Melissa Levine  |  11-15-2005  |  Reviews

Spells Like Teen Spirit

The magic comes from the character growth in Harry Potter and the Goblet of Fire.
Salt Lake City Weekly  |  Scott Renshaw  |  11-15-2005  |  Reviews

Bum Rapnew

Rare is the movie that so perfectly critiques itself; 50 Cent sounds articulate in his raps, but as a lead actor, he talks like his mouth is filled with food.
Houston Press  |  Luke Y. Thompson  |  11-14-2005  |  Reviews

Aboard Gamenew

Neither pandering nor dull, Zathura plays exactly like a no-limits replica of the kind of space adventure that imaginative kids left to their own devices might enact.
Dallas Observer  |  Luke Y. Thompson  |  11-14-2005  |  Reviews

Protocols of Zion

This is a rambling and inconclusive but intermittently incisive tour of neo-Nazis, radical Muslims, and other conspiracy-inclined types.
Washington City Paper  |  Mark Jenkins  |  11-11-2005  |  Reviews

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