AltWeeklies Wire

Diary of a Mad Frenchwomannew

This film follows a story arc that, depending on one's perspective, is either a quaint relic of an alien culture or flat-out insane.
Orlando Weekly  |  Steve Schneider  |  02-23-2006  |  Reviews

The Whole World is Watchingnew

Cache has every ingredient for art-house insufferability -- it's about upper-class Parisians, for starters.
Orlando Weekly  |  Steve Schneider  |  02-23-2006  |  Reviews

Frozen Stiffnew

The pooches out-act the humans in Eight Below.
Tucson Weekly  |  Bob Grimm  |  02-23-2006  |  Reviews

Those Wacky Germans!new

Go for Zucker is a contrived farce, but it's still better than most sitcoms.
Tucson Weekly  |  James DiGiovanna  |  02-23-2006  |  Reviews

Dirty Deedsnew

Bad cops and brass-knuckle politics play out in two new tales of urban dystopia, Dirty and Street Fight.
L.A. Weekly  |  Scott Foundas  |  02-23-2006  |  Reviews

Bondage and Diminutionnew

Kevin Willmott's brilliant new film looks at an alternate racial history.
New York Press  |  Matt Zoller Seitz  |  02-23-2006  |  Reviews

Too Dumb to Chargenew

Lionel Baier offers a slightly uncomfortable glimpse into a young gigolo's irredeemably twisted logic.
Dig Boston  |  Chris Braiotta  |  02-22-2006  |  Reviews

Redneck Racists Take Overnew

This faux documentary about what might have happened if the South had won the Civil War falls somewhere between Ken Burns on Haterade and a joke that goes on far too long.
Dig Boston  |  David Wildman  |  02-22-2006  |  Reviews

Second Naturenew

A haunting documentary revisits age-old questions of an essential self.
The Village Voice  |  J. Hoberman  |  02-22-2006  |  Reviews

Primal Furnew

Disney parades its pooches.
Phoenix New Times  |  Bill Gallo  |  02-21-2006  |  Reviews

The Price Is Wrongnew

Freedomland turns a rich, complex book into a poor, simple movie.
Cleveland Scene  |  Robert Wilonsky  |  02-21-2006  |  Reviews

2 Slow 2 Unfurious

When writing the story of a dumb but sort of sweet boy who has a thing for anonymous sex, it's probably a bad idea to give the boy a job in a chocolate factory.
Washington City Paper  |  Trey Graham  |  02-17-2006  |  Reviews

Death Cab for Cuties

Credit director James Wong for knowing what his audience has come to see -- unfortunately, that's all you can give him credit for.
Washington City Paper  |  Matthew Borlik  |  02-17-2006  |  Reviews

The Young and the Restful

Demme does as well by Young as he did by Talking Heads (Stop Making Sense) and Robyn Hitchcock (Storefront Hitchcock), rendering the performances with elegance, intimacy, and a splendid lack of gimmickry.
Washington City Paper  |  Mark Jenkins  |  02-17-2006  |  Reviews

The Moore Things Stay the Same

Freedomland is a most amazing story of sorts, but in the end, its much and often absurd ado goes nowhere and amounts to nothing.
Washington City Paper  |  Tricia Olszewski  |  02-17-2006  |  Reviews

Narrow Search

Category

Narrow by Date

  • Last 7 Days
  • Last 30 Days
  • Select a Date Range