AltWeeklies Wire

Reverend Billy Gets the Doc Treatmentnew

Rob VanAlkemade alternates between deconstructing the conceits behind Reverend Billy's wild-eyed demeanor and exploring the Church's message in a linear fashion. As a result, the movie offers both intriguing portraiture and probing cultural analysis.
New York Press  |  Eric Kohn  |  11-15-2007  |  Reviews

'Mr. Magorium's' Lacks the Stuff to Wow at Any Agenew

Uninspired despite its various attempts to find inspiration, Magorium is itself like a toy: Shiny, mystifying and completely expendable.
New York Press  |  Eric Kohn  |  11-15-2007  |  Reviews

Evil Ways

The Coen brothers combine pure thrills with grim philosophy in No Country for Old Men.
Salt Lake City Weekly  |  Scott Renshaw  |  11-15-2007  |  Reviews

Disasters of Warnew

Brian De Palma's Redacted protests the Iraq war while Darfur Now offers hope in the midst of genocide.
East Bay Express  |  Kelly Vance  |  11-15-2007  |  Reviews

'Redacted' is the Low Point of a Great Artist's Careernew

The media's rush to validate a weak De Palma film continues last year's insanity that overpraised the TV-style docudrama United 93, misconstrued Oliver Stone's great elegy World Trade Center and overrated the outdated 1969 French import Army of Shadows.
New York Press  |  Armond White  |  11-15-2007  |  Reviews

Director Richard Kelly's Sophomoric Sophmore Filmnew

Once upon a time, writer-director Kelly gave us the fine and sensitive Donnie Darko, a work that succeeded in building eeriness and foreboding with minimal violence. Not so in Southland Tales.
Willamette Week  |  N.P. Thompson  |  11-14-2007  |  Reviews

Dud 'in the Time of Cholera'new

Someone do us a favor and stop assigning director Mike Newell (Harry Potter and the Goblet of Fire) to beloved book adaptations.
San Antonio Current  |  Ashley Lindstrom  |  11-14-2007  |  Reviews

The Freewheelin' Todd Haynes' 'I'm Not There'new

Hoping to write about Todd Haynes' new not-a-biopic of Bob Dylan almost feels like trying to write footnotes to footnotes, a circular exercise that would wind even the fabulist likes of Jorge Luis Borges.
Chicago Newcity  |  Ray Pride  |  11-14-2007  |  Reviews

Jimmy Carter, the Likable Politiciannew

Despite its running time, Man From Plains suffers from a sound-bite sensibility.
Baltimore City Paper  |  Steve Erickson  |  11-13-2007  |  Reviews

Abstract Reasoningnew

A film's exploration into the authenticity of 4-year-old Marla Olmstead's paintings raises the thorny question of how we judge abstract art.
Gambit  |  Rick Barton  |  11-13-2007  |  Reviews

Director Sidney Lamut Creates the Taut Dramanew

Whenever a movie begins with a wide-screen view of Philip Seymour Hoffman's ass, there's a director behind the camera who doesn't take orders.
Baltimore City Paper  |  John Barry  |  11-13-2007  |  Reviews

'Lions for Lambs' is Skeptical About the War on Terrornew

It's certainly didactic at times, like a college theme paper turned into an episode of West Wing. But the dialogue's sharp and incisive, and the acting's first-rate. And there's star charisma to burn, what with Tom Cruise, Meryl Streep and, of course, Redford himself along for the ride.
Isthmus  |  Kent Williams  |  11-13-2007  |  Reviews

All the Pretty Carnagenew

Remorseless murder isn't all there is to No Country for Old Men, but it's all anyone seems to care about.
Chicago Reader  |  Jonathan Rosenbaum  |  11-12-2007  |  Reviews

Tonal Gravitynew

Coen Brothers return to darkness with No Country for Old Men while Lions for Lambs offers an anything-but-subtle attack.
Los Angeles CityBeat  |  Andy Klein  |  11-09-2007  |  Reviews

Coen Brothers to Audience: 'Hold Still'new

The Coen brothers transcend themselves with No Country for Old Men.
L.A. Weekly  |  Scott Foundas  |  11-09-2007  |  Reviews

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