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Hollywood Productnew

Aliens vs. Predator: Requiem
Creative Loafing (Atlanta)  |  Curt Holman  |  01-03-2008  |  Reviews

'The Orphanage': The Parent Trapnew

The Orphanage's scares aren't cheap, and with an exception or two, you probably won't even jump at its twists. Instead, its capacity to frighten lurks in its ­atmosphere.
Washington City Paper  |  Tricia Olszewski  |  01-03-2008  |  Reviews

Cockroaches Attacknew

AVPR is an insult to the Aliens that came before--not to mention filmgoers.
Tucson Weekly  |  Bob Grimm  |  01-03-2008  |  Reviews

Complex Motivationsnew

Unlikable people talk a lot in this character-driven film you'll love or hate.
Tucson Weekly  |  James DiGiovanna  |  01-03-2008  |  Reviews

Inside the Mind of a Killernew

Factual consistency predicates the narrative in The Killing of John Lennon, but Andrew Piddington's re-creation of Lennon assassin Mark David Chapman's descent into murderous insanity is hardly a procedural investigation into psychological disarray.
New York Press  |  Eric Kohn  |  01-03-2008  |  Reviews

Speaking the Truthnew

Historical drama struggles to rise above conventions.
Creative Loafing (Atlanta)  |  Allison Keene  |  01-02-2008  |  Reviews

Care Giversnew

Philip Seymour Hoffman, Laura Linney find time for Dad.
Creative Loafing (Atlanta)  |  Curt Holman  |  01-02-2008  |  Reviews

Belles and the Beastnew

Julian Schnabel once again delivers high art.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  01-02-2008  |  Reviews

The Year in Filmnew

There Will Be Blood, Ratatouille top our critics' charts.
Creative Loafing (Atlanta)  |  Felicia Feaster and Curt Holman  |  01-02-2008  |  Reviews

Against Blood Typenew

There Will Be Blood marks a sharp change of pace for writer/director P.T. Anderson, the most prodigiously gifted and brashly confident of Hollywood's young hotshots.
Philadelphia Weekly  |  Sean Burns  |  01-02-2008  |  Reviews

'There Will Be Blood' Falls Down its Own Wellnew

We're variously reminded of Greed, Citizen Kane, Days of Heaven, The Assassination of Jesse James by the Coward Robert Ford, and even Werner Herzog's oil-fire documentary, Lessons of Darkness -- all better movies on similar themes.
East Bay Express  |  Kelly Vance  |  01-02-2008  |  Reviews

Not All of Today's Horror Films are Schlockynew

The Orphanage is more ghost story than horror movie, and though it's low on the gore scale, it's still very scary, deeply atmospheric and seriously creepy, owing success to its solid direction and cinematography from Oscar Faura that holds the same precision to detail as Pan's Labyrinth.
San Diego CityBeat  |  Anders Wright  |  01-02-2008  |  Reviews

The Prosthetic Achievement: Oil is Sweeter Than Blood

Paul Thomas Anderson has grown immensely as a writer/director since his last picture (Punch Drunk Love), so much so that in a single film he has become America's most visionary and accomplished modern-day auteur.
Maui Time  |  Cole Smithey  |  12-31-2007  |  Reviews

Going Longnew

New films never run out of breath.
Creative Loafing (Charlotte)  |  Matt Brunson  |  12-28-2007  |  Reviews

'Charlie Wilson's War': Mr. Wilson's World Ordernew

Well, finally the American film industry has done it. At last, there's a movie about American foreign policies and programs in the Middle East and West Asia, in Iraq and Afghanistan, that Americans can feel good about.
Artvoice  |  George Sax  |  12-28-2007  |  Reviews

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