AltWeeklies Wire

The Corpse Isn't the Only Thing That's Stiffnew

Master filmmaker Atom Egoyan goes for the mainstream with this new murder mystery, but sadly his aim is way, way off.
Austin Chronicle  |  Marjorie Baumgarten  |  11-10-2005  |  Reviews

Bollywood Baublenew

In a country famous for its exhaustively over-the-top filmmaking, India's Shaadi No. 1 is an extreme case: a maddeningly manic comedy-romance painted in vibrant shades of neon pink and Day-Glo violet.
Austin Chronicle  |  Marc Savlov  |  11-10-2005  |  Reviews

Austen Reduxnew

This fresh adaptation of Jane Austen's masterpiece starring Keira Knightley presents a witty and lovesick skirmish of the sexes that exceeds all expectations.
Austin Chronicle  |  Steve Davis  |  11-10-2005  |  Reviews

Deep Freeze Comedynew

A mockumentary about the members of a Frozen Food Enthusiasts Club is funny when it stays on topic but becomes scattered when it strays.
Austin Chronicle  |  Marjorie Baumgarten  |  11-10-2005  |  Reviews

50 Cent Short 2 Bitsnew

The film story of Curtis "50 Cent" Jackson's tough road to success is so melodramatic that if it weren't real it would be laughable.
Austin Chronicle  |  Marc Savlov  |  11-10-2005  |  Reviews

Seaside Dalliancesnew

The French still like to get their sex on, a fact confirmed again and again in this breezy, featherweight sex farce.
Austin Chronicle  |  Marc Savlov  |  11-10-2005  |  Reviews

Fowl Playnew

Disney's first all-CGI, made-in-house, animated feature is painful for all ages, despite a voice-talent roster to make the angels weep.
Austin Chronicle  |  Marrit Ingman  |  11-10-2005  |  Reviews

L.A. Storynew

Shane Black's directorial debut is a suckerpunch-and-a-half, a trippy tribute to L.A. noir and a genre-busting blitzkrieg attack on Hollywood pretentions that’s just as full of them as the pulp it lampoons.
Austin Chronicle  |  Marc Savlov  |  11-10-2005  |  Reviews

Palestinian Slackers Pursue Martyrdomnew

The aimless, wheel-turning feel eventually detracts from Hany Abu-Assad's real message: that rather than faceless terrorists, there are people with reasons - even misguided, cruel or vindictive ones - for their violence.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  11-10-2005  |  Reviews

Wes Anderson Looms Largenew

Intellect and citified sophistication prove insufficient weapons for staving off despair in this black domestic comedy about the sudden eruption of the D-word in a bookish family living in Park Slope, Brooklyn.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  11-10-2005  |  Reviews

God at the Box Officenew

This new Israeli movie has a clear understanding that religious movies sell not only tickets, but also ideas.
Baltimore City Paper  |  Eric Allen Hatch  |  11-09-2005  |  Reviews

She's a Flat Characternew

And the story in this threadbare Jane Austen adaptation is pretty dull, too.
Baltimore City Paper  |  Anna Ditkoff  |  11-09-2005  |  Reviews

F is for . . .new

The return of 1980s screenwriting hotshot Shane Black isn't just bad--it's really f$#!ing bad.
Baltimore City Paper  |  Ian Grey  |  11-09-2005  |  Reviews

Putting the 'F' in Family Dramanew

Forty Shades of Blue is a film that proves honesty isn't everything.
Dig Boston  |  Chris Braiotta  |  11-09-2005  |  Reviews

Going Off the Rails on a Yuppie Trainnew

Derailed is a Hollywood thriller--but it's watchable!
Dig Boston  |  David Wildman  |  11-09-2005  |  Reviews

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