AltWeeklies Wire

'Hatchet' Brings Back Blood-and-Boobs Filmmakingnew

Despite the fact that assorted sun-deprived internet bloggers are dubbing writer/director Adam Green the savior of modern horror, it should be noted right up front that Hatchet isn't clever, smart, original, particularly well-made or all that convincingly acted.
Weekly Alibi  |  Devin D. O'Leary  |  09-11-2007  |  Reviews

'The Ten' Breaks the Rulesnew

Naked Gun meets Waiting for Godot.
Isthmus  |  Kent Williams  |  09-11-2007  |  Reviews

Paul Haggis Gets the Iraq War Right

Writer/director Paul Haggis (Crash) uses a biblically grounded metaphor as an all-encompassing touchstone for the desperate plight of physically and psychologically wounded Iraq War soldiers returning home.
Maui Time  |  Cole Smithey  |  09-10-2007  |  Reviews

'Raw Tactics of the Subversive Body' Provokesnew

This provocative new anthology of videos explores the human body as weapon, symbol, object, subject or organism.
Pittsburgh City Paper  |  Bill O'Driscoll  |  09-10-2007  |  Reviews

AIDS Beginsnew

Director André Téchiné dramatizes the onset of AIDS through the lives of four interconnected people, two of them gay, one uncertain and the other heterosexual.
Shepherd Express  |  David Luhrssen  |  09-10-2007  |  Reviews

'Halloween' is a Bloody Messnew

Rob Zombie's remake is a trick but no treat.
Birmingham Weekly  |  Carey Norris  |  09-10-2007  |  Reviews

Crazed Man vs. Machinenew

The hilarious The King of Kong features a passionate niche of classic arcade gaming buffs who fanatically guard their records and protect their heroes with a zealotry that would probably be terrifying, were it not so damn funny.
Philadelphia Weekly  |  Sean Burns  |  09-10-2007  |  Reviews

'Exiled': The Blood and the Beautynew

The visual poetry of Johnnie To's gangster films counters their nihilism.
Chicago Reader  |  Fred Camper  |  09-10-2007  |  Reviews

Shane Meadows Comes Out of Guy Ritchie's Shadownew

Though Meadows still uses violence and genre-tweaking humor to entertaining effects, he has evolved into a far more original filmmaker.
The Georgia Straight  |  Ken Eisner  |  09-07-2007  |  Reviews

'No End in Sight' Shows Both the War in Iraq and on Reasonnew

The documentary is woven together by terse narration from Campbell Scott and contains nothing unfamiliar to regular readers of political blogs by center-leftists, but its cohesion will satisfy the most dedicated antiwar critic.
The Georgia Straight  |  Ken Eisner  |  09-07-2007  |  Reviews

The Grimmest Movie You'll Want to See Againnew

Some reviewers are calling Death Sentence morally reprehensible for being sympathetic to the vigilante, but the movie could be perceived as against revenge, since the outcomes are horrific for heroes and villains alike.
The Georgia Straight  |  Ron Yamauchi  |  09-07-2007  |  Reviews

Innovative Documentary Puts a Human Face on Iraq Warnew

José Antonio Gutierrez was a blip on the media radar, the first U.S. soldier to be killed in the 2003 invasion of Iraq. The film looks at Gutierrez's life rather than create an anti-Bush screed.
Montreal Mirror  |  Malcolm Fraser  |  09-07-2007  |  Reviews

Milos Forman Returns to Form with 'Goya's Ghosts'new

For the director of such classics as One Flew Over the Cuckoo’s Nest and Amadeus, Milos Forman fell off pretty hard in recent years with The People vs. Larry Flynt and Man in the Moon.
Montreal Mirror  |  Malcolm Fraser  |  09-07-2007  |  Reviews

300 Guns and a Babynew

Don't be fooled by the overblown, leather-clad machismo, profusion of violence or terrible one-liners -- once you realize that Shoot 'Em Up is not taking itself too seriously, it gets much better, giving Clive Owen license to engage in all manner of absurd gun-slinging with an infant in his backpack.
Montreal Mirror  |  Jeffrey Malecki  |  09-07-2007  |  Reviews

Can a Hard-Hitting Dafur Doc Inspire Intervention?new

Tonal modulation is everything in a political doc; the more dire the matter at hand, the more delicate the issue of how to address it. The crisis in Darfur compels The Devil Came on Horseback to commence in full-on grab-and-shake mode.
Nashville Scene  |  Rob Nelson  |  09-07-2007  |  Reviews

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