AltWeeklies Wire

'Lust, Caution' is a Cautionary Sex Talenew

Ang Lee finally makes the film he's always wanted.
New York Press  |  Armond White  |  09-27-2007  |  Reviews

'Divided We Fall' Examines Sikhsnew

Kaur's first person perspective of the aftermath of 9/11 seems only intent on clearing up the misconceptions viewers may have had about Sikhs in America.
Orlando Weekly  |  Jason Ferguson  |  09-27-2007  |  Reviews

Don't Judge 'Outsourced' by its Titlenew

Despite its direct, documentary-style title, it is a fluffy comedy that never sacrifices its lightness for its message.
Orlando Weekly  |  Jason Ferguson  |  09-27-2007  |  Reviews

'The Kingdom': The Witless A-Teamnew

This blandly politicized action film borrows equally from documentaries and Mr. T.
New York Press  |  Eric Kohn  |  09-27-2007  |  Reviews

'The Darjeeling Limited': My Three Stoogesnew

Wes Anderson understands the fragility (and humor) of families.
New York Press  |  Armond White  |  09-27-2007  |  Reviews

Amanda Bynes Updates Another Classic But Why?new

You might expect a college comedy version of Snow White to be a bit risqué, a bit older-skewing, maybe tailored for the actual college crowd, but it’s actually a more toned-down and kid-friendly version of the Grimms’ tale than even Walt Disney’s animated version.
OC Weekly  |  Luke Y. Thompson  |  09-26-2007  |  Reviews

It's Hard to Make a Good Film bout Human Traffickingnew

Based on Peter Landesman's investigative work in The New York Times Magazine, Trade is its own undoing as it approaches terribly real issues with terrible movie clichés.
San Diego CityBeat  |  Anders Wright  |  09-26-2007  |  Reviews

'The Kingdom' Wears No Clothesnew

For all its desperate need to be taken seriously, Peter Berg's The Kingdom is painfully phony, made more so by its well-disguised attempts at political correctness.
San Diego CityBeat  |  Anders Wright  |  09-26-2007  |  Reviews

Peter Berg Unleashes Violence On Saudi Arabia -- and Usnew

Berg has made an action movie called The Kingdom that is set in Saudi Arabia, that includes a great many bastards getting wasted, and is ultimately a responsible and even a very fine piece of filmmaking.
Willamette Week  |  Aaron Mesh  |  09-26-2007  |  Reviews

'The Last Winter' Certifies Fessenden as a Horror Auteurnew

Larry Fessenden's The Last Winter isn't the first global-warming horror film, and it surely won't be the last, but it's unlikely there will be a better one anytime soon -- or a better horror movie this fall.
San Francisco Bay Guardian  |  Dennis Harvey  |  09-26-2007  |  Reviews

Pump Up the Volume

Feast of Love mutes a tale of irrational passions.
Salt Lake City Weekly  |  Scott Renshaw  |  09-25-2007  |  Reviews

Houston, We Have an Environmental Problemnew

The twist on this familiar astronaut story is that it's a post-Al Gore doc, itself in the shadow of An Inconvenient Truth.
Seattle Weekly  |  Brian Miller  |  09-25-2007  |  Reviews

'The Hunting Party' is On the Wrong Tracknew

The film has less luck finding the right tone than its heroes have locating their quarry.
Philadelphia City Paper  |  Shaun Brady  |  09-25-2007  |  Reviews

Visually Stunning Documentary Captures the Big Picture of Chinese Industrynew

Nothing illustrates the monstrosity of globalized commerce more vividly than the lateral tracking shot that opens Jennifer Baichwal’s mesmerizing documentary Manufactured Landscapes.
Nashville Scene  |  Jim Ridley  |  09-24-2007  |  Reviews

Sean Penn Journeys 'Into the Wild'new

To these eyes, Into the Wild is an unusually soulful and poetic movie that crystallizes Christopher McCandless as the glittering enigma he was, that allows us to decide for ourselves whether he was the spiritual son of Thoreau, Tolstoy and John Muir, or the boy most likely to become Theodore Kaczynski.
L.A. Weekly  |  Scott Foundas  |  09-24-2007  |  Reviews

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