AltWeeklies Wire

'Revanche': Crime and Self-Punishment in Austrianew

This deliberate, meticulous heist-gone-wrong flick eschews all the usual excitement of crime. Instead, Austrian writer-director Gotz Spielmann concentrates on the slow buildup to a bank job and its simmering moral aftermath.
Seattle Weekly  |  Brian Miller  |  05-04-2009  |  Reviews

Sci-Fi Classic Spins Off Better Than Ever

Fusing a carefully chosen cast with stunning sci-fi spectacle, and a storyline that retains the workmanlike elements of Gene Roddenberry's original television series, director J.J. Abrams successfully forms a new beginning for the Star Trek franchise.
City Pulse  |  Cole Smithey  |  05-04-2009  |  Reviews

'The Soloist' Serves As a Career Warm-Upnew

Given the number of films in which the basic plot could be summed up as "homeless person unaccountably turns out to be a musical genius,," it might be expected that little else could be wrung from such a dirty, tattered rag of a scenario. Fortunately The Soloist is an interesting, visually rapturous tale based on a true series of events.
Boise Weekly  |  Jeremiah Wierenga  |  05-01-2009  |  Reviews

Freaks and Freaks: 'Frownland'new

Like a signal flare rising above the streets of L.A.'s Fairfax District, Frownland announces that underground cinema is alive and well.
L.A. Weekly  |  Scott Foundas  |  05-01-2009  |  Reviews

Boxing, Sex and Madness: 'Tyson'new

In a new Tyson documentary, the boxer tells it in his own words.
L.A. Weekly  |  Scott Foundas  |  05-01-2009  |  Reviews

'Fighting' Packs No Punchnew

Channing Tatum's sputtering performance and a stereotypical plot lead Fighting to failure.
Tucson Weekly  |  Bob Grimm  |  04-29-2009  |  Reviews

'Fanboys': A Geek Journeynew

Fanboys is a brain-dead teen comedy that substitutes Star Wars references for humor.
Tucson Weekly  |  James DiGiovanna  |  04-29-2009  |  Reviews

'The Informers': Slightly Greater Than Zeronew

With The Informers, director Gregor Jordan seems to take Bret Easton Ellis' vapid observations at face value and delivers a glitzy study in obviousness.
Creative Loafing (Atlanta)  |  Curt Holman  |  04-29-2009  |  Reviews

The Year's Most Inspiring Movie Is About Two Aging Canadian Metal-Headsnew

It doesn't matter if you're not a metal fan. You feel immediate affection for Anvil, and you desperately wish for them to succeed.
San Diego CityBeat  |  Anders Wright  |  04-29-2009  |  Reviews

'Terra' is a Thematically Tone-Deaf Sci-Fi Travesty

Too thematically dim to hold the interest of adults, and too alienating and violent for young children, Battle for Terra is an off-putting animated sci-fi flick for no one.
City Pulse  |  Cole Smithey  |  04-27-2009  |  Reviews

Shocking: 'Crank' 2 Goes Electric

The sequel to a 2006 meta-parody charges up the action, vulgarity, and fun.
Metroland  |  John Brodeur  |  04-23-2009  |  Reviews

Stolen Youth: '17 Again'new

Zac Efron displays talent and charm in the enjoyable, if unoriginal 17 Again.
Tucson Weekly  |  Bob Grimm  |  04-23-2009  |  Reviews

'Crank: High Voltage' Is Rather Joltingnew

Crank is not a good film, in the moral sense of "good," but it might be an entertaining film, and is in many ways an innovative film.
Tucson Weekly  |  James DiGiovanna  |  04-23-2009  |  Reviews

Shot in the Blart

Observe and Report is a mean, unfunny mess.
Metroland  |  John Brodeur  |  04-22-2009  |  Reviews

'The Soloist' Is As Much About the Power of Music to Transform As It Is About Friendshipnew

You can learn more about the story of mentally ill musical prodigy Nathaniel Ayers in a 12-minute segment of a March 60 Minutes broadcast than in the 109 minutes of The Soloist. But what a wonderful 109 minutes they are.
San Antonio Current  |  John Thomason  |  04-22-2009  |  Reviews

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