AltWeeklies Wire

Keepin' 'Em on the Farmnew

Barry Tubb's Grand Champion tackles Hollywood's two no-no's: working with both kids and animals.
Austin Chronicle  |  Marjorie Baumgarten  |  10-15-2004  |  Profiles & Interviews

America's Teamnew

Matt Stone and Trey Parker take on terrorism, celebrity and the perils of puppetry.
Austin Chronicle  |  Marjorie Baumgarten  |  10-15-2004  |  Profiles & Interviews

I, Movienew

Jonathan Caouette's Tarnation -- known as the $218.32 movie at the last Sundance -- is a manic peak in the year of the documentary. It's the sometimes visionary story of a gay boy who was shuttled through foster homes before being returned to the home of the grandparents who institutionalized his mother.
San Francisco Bay Guardian  |  Johnny Ray Huston  |  10-13-2004  |  Profiles & Interviews

Joaquin Phoenix Shows Versatility With Rolesnew

Even a firefighting action drama represents another unpredictable change-of-pace for Joaquin Phoenix, 29. Wait until next spring's Walk the Line, in which he portrays the one-and-only Johnny Cash (opposite Reese Witherspoon, no less, as June Carter).
Creative Loafing (Atlanta)  |  Bert Osborne  |  10-07-2004  |  Profiles & Interviews

Reel Musicnew

The rock documentary Dig! charts the unpredictable trajectory of the Brian Jonestown Massacre and the Dandy Warhols. For L.A. filmmaker Ondi Timoner, it was an eight-year labor of love that earned Dig! a Grand Jury Prize at Sundance — as well as both the love and vitriol of her film's subjects.
L.A. Alternative  |  Jay Antani  |  10-06-2004  |  Profiles & Interviews

George's Junglenew

The feature-length documentary details Girl George's dalliances in 1970s Nashville, but it never shows the East Bay open mic legend and her sidekick, Star, actually performing.
East Bay Express  |  Rob Harvilla  |  10-05-2004  |  Profiles & Interviews

Delightful, Dirty Watersnew

John Waters has influenced a generation of filmmakers with his trashy films, including his new A Dirty Shame. But what is trashy these days, anyway?
Tucson Weekly  |  James DiGiovanna  |  09-30-2004  |  Profiles & Interviews

Naked Lunchnew

In an interview, director John Waters outlines a powerful case for the end of repression and the restoration of genuine fun, laughter and bad taste.
Boston Phoenix  |  Peter Keough  |  09-24-2004  |  Profiles & Interviews

Dirty Soapnew

After examining the pilot script for Six Feet Under and the music video treatment for Avril Lavigne's Sk8er Boi, the writers of Wet Palms, an online gay porn soap opera, are whipping up a new genre of dirty drama.
San Francisco Bay Guardian  |  Johnny Ray Huston  |  09-22-2004  |  Profiles & Interviews

Murder on the Campaign Trailnew

With Silver City, Sayles lives up to the stereotype of the socially conscientious but humorless leftist. Imagine Ralph Nader trying to crack a joke on the campaign trail and you'll get a sense of Silver City's discomfort with comedy.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-15-2004  |  Profiles & Interviews

Freeze-framenew

Ten years after Roxbury, Massachusetts, filmmaker Robert Patton-Spruill directed his critically acclaimed film Squeeze, he’s finally back behind the camera. Will it be worth the wait? Does it even matter?
Boston Phoenix  |  Camille Dodero  |  09-09-2004  |  Profiles & Interviews

All Aboardnew

John Sayles and his partner Maggie Renzi discuss the political messages in their film Silver City and describe how they pulled together the financing and cast.
Colorado Springs Independent  |  Kathryn Eastburn  |  09-03-2004  |  Profiles & Interviews

An Interview with Vincent Gallonew

Vincent Gallo loves to talk, as followers of his career as musician, painter, actor, and director will have gathered.
Boston Phoenix  |  Chris Fujiwara  |  09-02-2004  |  Profiles & Interviews

Performing Artist's Troubled Documentary Moves Aheadnew

Michael Masley should be famous by now — a street musician deity, a Tom Waits collaborator and the star of a Sundance documentary. But the disaster surrounding that still-hypothetical flick might explain why Masley hasn't hit the big time.
East Bay Express  |  Simon Kinsella  |  08-31-2004  |  Profiles & Interviews

Lucid Assemblynew

Richard Kelly talks about the reasons for releasing a new director's cut.
Austin Chronicle  |  Kimberley Jones  |  08-26-2004  |  Profiles & Interviews

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